Connect with us
5 Ways AEW Can Make Rampage Unique from Dynamite
Image: AEW

Wrestling

5 Ways AEW Can Make Rampage Unique from Dynamite

AEW Rampage vs. Dynamite

AEW Rampage has the obvious factors that differentiate it from Dynamite, most significantly its pre-taped format (as opposed to live Dynamites), as well as its compact 1-hour runtime (as opposed to 2-hour Dynamites). But Rampage has been and continues to be, met with criticisms about its less “consequential” product, with many pointing to its very format (taped, 1-hour) as the reason why it not as essential as its live counterpart.

I disagree with this simplistic reasoning for the simple reason that more wrestling doesn’t mean better, and live wrestling doesn’t mean good. In this list, I present 5 specific ways that AEW can make Rampage unique from Dynamite, as opposed to merely following in the latter’s footsteps.

(1) Exclusive championships

FTR

One of the more significant ways to demarcate Rampage from Dynamite would be to have certain titles be defended on one show, and not the other. Dynamite, as the original program, could claim the World, Women’s World, and World Tag Team Championships, or the promotion’s “core” or foundational titles. Rampage then could lay claim to the All-Atlantic, World Trios, FTW, and other non-AEW Championships (e.g. ROH, AAA, etc), or the titles that represent the expansion of AEW.

Where it might get tricky is with the two TV championships, the TNT and TBS titles. On the one hand, Rampage could simply take the TNT belt and Dynamite the TBS belt, to represent the channels either show respectively airs on. But this would leave both AEW women’s championships to be defended on Dynamite, which (until a third women’s championship arrives) is a disservice to Rampage and to the entire division that, for some reason, has to live on 1 match and 1 segment (max.) on Dynamite.

5 Ways AEW Can Make Rampage Unique from Dynamite

Of course, as with most ideas on this list, the key is for exclusive to be a “soft” exclusive. Some of these championships, like the TBS and ROH World titles, have already had history being primarily defended on Rampage, and perhaps a further commitment to the pattern is one way to develop a relationship with the show.

(2) Open challenges

HOOK

In keeping with the point regarding “soft” exclusive titles for either show, some titles can take on the identity of open challenge belts, which can be another intriguing Rampage staple. The origins of the TNT Championship centered around regular, if not weekly, open challenges for inaugural champion Cody Rhodes. The same principle would be adopted by undefeated and inaugural TBS Champion Jade Cargill. Upon being captured by Hook, the FTW Championship would also be marketed as an open challenge belt.

Since the launch of Rampage in August 2021, many of these open challenge defenses have been scheduled for the 2nd AEW program. The brand new World Trios title, while not much has been seen from it yet, can serve as the open challenge belt for the tag team division, which has not been afforded such a thing to date. And even away from the title scene, Serena Deeb’s “5-Minute Rookie Challenge” sets a good open challenge template for non-champions who wish to ascend the rankings, as well as for a string of unsigned/unranked talent to appear on AEW television.

5 Ways AEW Can Make Rampage Unique from Dynamite

(3) Tweak Mark Henry’s stiff interview segment

5 Ways AEW Can Make Rampage Unique from Dynamite

One of the ways Rampage is already unique from Dynamite is Mark Henry’s trademark interview segment before the main event. While there is a throwback charm to these segments (as well as an all-time exchange with Orange Cassidy), more and more people have been cutting Henry off before a question is asked, presumably due to the palpable tension and energy before a main event. Henry’s best work in the role has also come with more light-hearted matches, such as Orange Cassidy v Ari Daivari, which is a limited pool to swim in.

In my estimation, fans appreciate the effort to make Rampage main events feel bigger, as well as the avenue for guaranteed promos from their favorite wrestlers. But if that ‘big Rampage main event’ feeling isn’t coming from booking matches of greater consequence — it should — then Mark Henry’s segment may need to be tweaked to take up less time, and his interview prompts need to pack a tighter punch.

(4) Vehicle for new and unranked talent

Eddie Kingston vs. Bryan Danielson

There once was a string of Rampage episodes wherein new signees Bryan Danielson, Adam Cole, and CM Punk would be the top featured stars, either opening or closing episodes and steadily amassing win streaks against lower-card or unranked wrestlers like Colt Cabana, John Silver, Daniel Garcia, and others.

Danielson and Cole’s case wouldn’t necessarily be Rampage-exclusive (with both men officially debuting on Dynamite), but this is a template that can definitely be utilized moving forward to showcase new signees coming in, regardless of popularity. The Trustbusters have done it, Keith Lee and Swerve Strickland have done it, and the August 2021 brigade has done it.

Prominent talent, in general, can rack up wins on Rampage, whereas Dynamite can more consistently promote championship eliminator matches, Top 5 v Top 5 matches, and wrestlers coming off of big PPV stories. Perhaps by featuring prominent talent and having new names make their in-ring debuts and amass wins on Rampage, it can communicate to fans that it’s a show to watch for different reasons than Dynamite.

(5) Gimmick matches and bloodbaths

5 Ways AEW Can Make Rampage Unique from Dynamite

The show has been home to many of AEW’s more underrated, “gimmick” matches. While Dynamite has flaunted Blood and Guts, Ladder matches, and flaming tables; Rampage has been home to stipulations like the double-ring battle royal called the Royal Rampage, and a gory display of self-mutilation from a women’s tag team Tables match. This is not to put either set on a pedestal, but to highlight the more under-the-radar, insane gems that Rampage has put on.

Eddie Kingston, Santana, and Ortiz v Daniel Garcia and 2.0 kicked off 2022 with a terrific ECW-style street fight in January, which was meant to be a No DQ rematch between the same teams from a month prior.

A week prior at Rampage: New Year’s Smash 2021, Anna Jay and Tay Conti v Penelope Ford and The Bunny out of nowhere had one of the most well-received women’s matches and bloodbaths in AEW, for a match that received really little to no build prior.

Wheeler Yuta

One of the greatest matches in Rampage history thus far does not fall under No DQ or stipulation matches, but the bloody Jon Moxley v Wheeler Yuta in April 2022 was a star-making night for Blackpool Combat Club’s 1st recruit. Tony Khan tends to promote these bloody episodes of Rampage by going nuts on Twitter, and rarely have they ever missed. Blood, obviously, is not a factor in pro wrestling that can just be barred at will, but if these dangerous, experimental matches can keep being reserved for Rampage for the most part, then it won’t have much trouble being its own unique entity.

Written By

Harvey Garcia is sometimes a poet and freelance writer from Manila; always going to pop for a butterfly suplex, and a good line cut.

Click to comment

Leave a Reply

Your email address will not be published. Required fields are marked *

Facebook

Trending

Apple 1984 Super Bowl Ad Apple 1984 Super Bowl Ad

A Look Back At The Most Famous Super Bowl Commercial 1984 Directed by Ridley Scott

TV

Greatest-Super-Bowl-Commercials-of-All-Time Greatest-Super-Bowl-Commercials-of-All-Time

A History of The Greatest Super Bowl Commercials of All Time

TV

Greatest Royal Rumble Matches of All time Greatest Royal Rumble Matches of All time

Greatest Royal Rumble Matches

Wrestling

The Best Romantic Comedies The Best Romantic Comedies

Happy Valentine’s Day: Here are the 50 Best Romantic Comedies

Film

best Super Bowl halftime shows in history best Super Bowl halftime shows in history

The 15 Best Super Bowl Halftime Shows in History 

TV

Greatest Romantic Comedies Greatest Romantic Comedies

Happy Valentine’s Day: Here are the 50 Best Romantic Comedies

Film

Videodrome Videodrome

Videodrome is a Different Kind of Modern Classic

Film

The Best TV Shows That Premiered After A Super Bowl The Best TV Shows That Premiered After A Super Bowl

The Best TV Shows That Premiered After A Super Bowl

TV

Quentin Tarantino’s New Book Cinema Speculation, is a Groovy Read Quentin Tarantino’s New Book Cinema Speculation, is a Groovy Read

Quentin Tarantino’s New Book Cinema Speculation is a Groovy Read

Culture

The Last of Us Infected The Last of Us Infected

The Last of Us Looks for Love in a Hopeless Place with “Infected”

TV

Hear Me Out Hear Me Out

Hear Me Out Never Finds Its Own Voice

Film

Kaleidoscope Kaleidoscope

Kaleidoscope (2023): How the Newest Hypnotic Netflix Toy Stumbles with its Unique Format

TV

Bill Nighy is a Living Marvel in This Kurosawa Remake

Culture

The Last of Us When You're Lost in the Darkness The Last of Us When You're Lost in the Darkness

The Last of Us Begins with the Bleak, Familiar “When You’re Lost in the Darkness”

TV

Sundance 2023: The Eight Must-See Films at the Festival

Culture

maxwell jacob friedman maxwell jacob friedman

MJF and Three Potential First-Time Feuds for 2023 

Culture

Connect