Let’s look back at the best AEW moments of 2022!
While the strength of AEW draws largely from its world-class roster, long-term stories, and exciting pro wrestling, much of its identity also comes from the talent using their own voices to tell their stories. From deranged tirades to magical returns, to the little things in between, let’s take a look at the best moments outside of the opening and closing bells to take place on weekly TV all year round.
Cody Rhodes’ exit promo (Dynamite)
Due to the ambiguous nature of Cody Rhodes’ arc in AEW, it was always difficult to tell what his next move would be, or how it was supposed to be “interpreted.” Does he want us to boo? Does he want to want us to boo? Is he even listening at all? Ahead of his TNT Championship defense against Sammy Guevara in a Ladder match, few people expected that this impassioned speech on Dynamite would be his last in the promotion he helped create.
And what a way to go out. Rhodes embraced his ego and industry-altering accomplishments, amid the backdrop of a ladder that he would not reference or climb until the very last minute. Rhodes talked about how everything CM Punk talked about doing 11 years earlier—working with the biggest promotions, changing the wrestling world—Rhodes actually did; and how the future of AEW was built with his foundation, all as the crowd ping-pongs between cheering and chanting for him to shut up. This is a promo with tons of re-watchability, given the greater context.
MJF’s tragic tell-all (Dynamite)
It doesn’t matter nearly as much that the follow-up is that MJF called himself the devil, and that the greatest thing the devil did was to convince the world he doesn’t exist. The biggest takeaway from MJF’s tell-all on Dynamite, where he talked openly about being a victim of bullying and discrimination in high school, due in part to his Jewish heritage; and on top of that, the impact that his childhood hero CM Punk retiring out of nowhere had on him at the time; is that everything he said about what he had felt was genuine.
Gaslighting and bigger picture aside of MJF getting Punk’s guard down, ahead of their Dog Collar match), this was MJF the toxic human being, being uncharacteristically vulnerable and open in communicating his hurt, and saying things of greater substance than he ever had up to that point. It is the biggest testament to his skill that when the smoke cleared, he wasn’t some big hero, or some liar faking abuse for clout — he simply left everyone feeling uneasy.
Max Caster’s rap on a debuting Samoa Joe (Dynamite)
Every entrance by The Acclaimed’s Max Caster and Anthony Bowen is a guaranteed show-stealer regardless of which show they are on, but in the top tier of these intro raps would have to be the one dropped on a debuting Samoa Joe. It being Joe’s AEW debut in an Owen Hart Tournament Qualifier, one would think that he would’ve had an uncontested ovation, but the beat dropped and The Acclaimed went ahead and contested it.
“Imma lay this dude down like a sex position,
I’m Main Event Max, he’s X-Division.
So I’m sending you home.
You’re not a tough guy, Joe; you’re just injury prone.”
Jon Moxley: “It is not my job to show you respect” (Rampage)
Prior to the Match of the Year contender that was Jon Moxley v Wheeler Yuta on Rampage, the two competitors cut underrated pre-match Promos of the Year with Mark Henry ahead of the main event. New ROH Pure Champion Yuta brought up the fact that he had come closer and closer to beating Moxley every chance he had gotten, and that Moxley was facing a different man who wasn’t scared of this match.
Moxley’s response was terse and straightforward, and set the stage perfectly for the star-making bloodbath that was to come:
“Let’s be very, very clear. It is not my job to show you respect.
Tonight, I have one job: spill your guts all over the mat, so we can find out exactly, finally, once-and-for-all, what you are really made of.”
Kris Statlander: “Everyone apparently needs to win this tournament” (Rampage)
This was undeniably the promo that cemented Kris Statlander as a World Champion in waiting. There was absolutely no hesitation, no pandering for a presumed friend in her Owen Cup opponent, Ruby Soho.
Without being abrasive, Statlander stood up for herself and laid it down for everybody. You don’t need to win this tournament; you need to beat the woman who held this division together for years. Her passion and candidness here would do her wonders, as even in defeat, the entire building made it clear to Soho where they stood. An unfortunate injury pre-All Out would momentarily halt her momentum, but this promo did a lot to establish Statlander as a main-event-mainstay.
MJF: “You f****** mark” (Dynamite)
The delivery and set-up of this promo are unlike any other. First, the set-up. MJF had not been shy to drop references on TV about his contract expiring in 2024, leading fans to speculate on and buy into countless rumors of his discontent and uncertain future with the promotion—a story looming ironically in the background of MJF’s rivalry with his defiant employee, Wardlow. So, in a sense, this promo didn’t come out of anywhere.
Now, the delivery. After being powerbombed to oblivion by Wardlow 3 days prior at Double or Nothing, and speculation on MJF’s unhappiness at an all-time high, the AEW original delivered the second promo of his life in 2022, with a pointed and targeted slandering of both Tony Khan, as well as the fans who MJF felt kept taking him for granted.
They could cheer all they want. “Too little, too late.”
Orange Cassidy Returns (Dynamite)
Amid the buzz of the biggest cross-promotional supershow of the year; full of moments like Jon Moxley finally coming face-to-face with Hiroshi Tanahashi, and newly-minted IWGP World Heavyweight Champion, Jay White confronting both his vocal challengers, Adam Page and Adam Cole, all taking place on the same episode; the loudest ovation would arguably come from the return of “Freshly Squeezed” Orange Cassidy.
Weeks prior, NJPW’s United Empire (Will Ospreay, Jeff Cobb, The Great O’Khan, and Aussie Open) walked through the “forbidden door” and made enemies out of FTR and Roppongi Vice. Then, the big equalizer showed up. After 3 months of recovering from a shoulder injury, the Pixies’ “Where Is My Mind?” hit on Dynamite, and Orange Cassidy comes walking in and stares down the leader of the United Empire and IWGP US Heavyweight Champion, Ospreay, setting up a match at Forbidden Door in 1 electric minute.
Christian Cage: “Your father is dead” (Dynamite)
Out of nowhere, Christian Cage went from being Jurassic Express’ veteran manager to the biggest talk in AEW with this 1 segment.
A week after making a sandwich out of Jungle Boy’s head and 2 steel chairs, Cage would unleash one of the coldest tirades onto Jungle Boy and his family, as well as toxic fans on Twitter while he’s at it. Something about the way he tried to justify his actions by saying he was only biding his time for a year and decided to make easy money by mentoring Jungle Boy first. And Cage dancing around the topic of Luke Perry, and then going there anyway. And the way Cage managed to get an irate Luchasaurus on his side with a few whispers. And Cage doing all that with a turtleneck. So many things about this made it seem like the single most cold-blooded talk segment in AEW history.
Hook wins FTW Championship (Dynamite)
In a moment kind of foreshadowed by FTW Champion Ricky Starks engaging in double open challenges, then quickly pinning Danhausen, Hook would come out and challenge for the title that his father created. The association between Hook and Danhausen still holds strong despite only teaming for 1 Buy-In match, but that extra bit of anticipation without confirmation helped make this moment even better.
While Starks did have 2 matches the night he lost the FTW title, he ultimately proved he was not immune to his fellow Team Taz member’s minute-long squashes, tapping out to Hook, as Hook’s father Taz is overcome with emotion at commentary. There are so many big and small pieces that came together for this quick win, which will likely be a career-building moment for the new champion.
Powerhouse Hobbs attacks Ricky Starks (Dynamite)
Immediately after his loss of the FTW title to fellow Team Taz faction-mate Hook, Ricky Starks would bare it all on the mic as his most vulnerable self. He talked about how okay he was with losing the FTW title because of how proud he was of his year-long title reign. Then, he talked about how tired he was of being patient and said he had big plans for himself and Powerhouse Hobbs — which promptly signaled to the 270-pound monster to swing full force at Starks’ neck.
All of this while we had just recovered from Hook winning the title that his dad created in 1998. And all of this while we had just been enticed by what a re-focused Team Taz might look like. Damn it, Hobbs; it looks like nothing at all.
CM Punk and Jon Moxley: “Tell me when I’m telling lies” (Dynamite)
A week after World Champion CM Punk finally returned to TV after suffering a foot injury 2 months prior, Punk would inexplicably go on a tirade aimed at Adam Page, Jon Moxley, and Eddie Kingston; about how none of them are as important as we perceive them to be. They are the second-best this, the third-best that. I want to say inexplicably, but this is Punk we’re dealing with.
Interim World Champion Moxley then arrived and (deservedly) called the returning champion out on writing cheques his body can’t cash. Moxley’s relative calmness as he spoke communicated real confidence against Punk; but once the brawl broke loose, who’s fresh and who’s injured go out the window. All you wanted to see was an official match.
Kenny Omega Returns (Dynamite)
On the one hand, returns in wrestling commonly want that maximum pop of noise all in one go. That’s why many returns have the surprise element, or why a lot of entrance music has quirky intro hooks. On the other hand, we have AEW, which has advertised many returns and debuts without explicitly advertising anything.
I like having both hands, but on this night, they went with the latter for the much-awaited return of Kenny Omega, who had been gone from TV since losing the World title in November 2021. The story is that the Young Bucks had been searching for a partner for the World Trios Championship tournament, and their longtime friends Adam Cole, Bobby Fish, and Kyle O’Reilly took themselves out of the pool from the get-go by attacking the Bucks. Then, friend-turned-foe-turned-acquaintance Adam Page took himself out of the pool after the Bucks asked nicely. Then, the Bucks took Being The Elite editor Brandon Cutler out of the equation, ensuring all but one outcome come tournament time.
Omega’s music doesn’t have a quirky intro unless Justin Roberts’ special multi-paragraph introductions count. In which case, the live crowd absolutely ate this return up from beginning to end. This wasn’t just some singular burst of noise. This was a gradually growing “Oh my God” as Roberts confirmed the credentials that belonged to one man and one man alone — the only outcome.
Jon Moxley: “Time to be a legend” (Dynamite)
Sometimes people need to be reminded what responsibility looks like. What leading by example looks like. Sometimes people forget the position they’re in, what roses smells like. Considering Moxley had just lost the World title to someone who was itching to vacate it, this speech felt like it wasn’t just for us.
One of the most inspiring wrestlers we have today. I’ll take a pep talk from Moxley anytime.
MJF and Wheeler Yuta brawl in the rafters (Dynamite)
Dynamite and Rampage feel very organized and tightened up for the most part. Always moving, no wasted seconds. Rampage has already skipped opening entrances entirely to make the most of the hour. But this tightness has also created a lack of chaos on the show, which is something that needs a lot of room to breathe.
This precedent they’ve set is what makes MJF and Wheeler Yuta brawling in the rafters so good, and so memorable. From typically-reserved Yuta appearing behind MJF like a horror movie maniac. To the inherent danger of brawling in a high balcony. To really, what helped make the most of this basic pro wrestling staple, the camera just staying on them for a few deep breaths. I wouldn’t mind seeing these two go at it again.
The Acclaimed celebrate National Scissoring Day (Dynamite)
There’s something really endearing about a wrestling segment that doesn’t devolve into butting of heads. It did eventually happen, but that part was so minuscule, and the whole thing was still for The Acclaimed.
Seeing the show week to week, the whole scissoring thing makes perfect sense. But then you remember it’s pro wrestling. And so it was just nice having this thing that just happened suddenly go viral and become more than what it was meant to be. Offer your scissors to your neighbors every now and then. You never know who needs it most.
Renee Paquette debuts (Dynamite)
This may legitimately be one of my favorite debuts of the year. It was so simple, yet felt like a big deal, and happened just as long as it needed to.
AEW had made their debut in Canada, and the first thing we are introduced to on Dynamite is “the newest member of the broadcast team.” And out comes Renee Paquette, and the people lose their minds. Fans regularly wonder about it, her husband wrestles in AEW, etc. None of it should be a surprise, but you listen to that eruption? Paquette is just good for wrestling.
MJF: “I don’t like me, either” (Dynamite)
This is not just the most underrated MJF promo this year. It might also just be the straight-up best one.
By best, I mean MJF said very compelling things, as he has all year. But in a very self-aware, almost heartbreaking, and candid way. He acknowledged his asshole reputation without giving an entire childhood backstory, and without necessarily deflecting, either. It being a backstage pre-tape actually does wonders for it, because we don’t get all the excess fat from a live MJF promo. Just the man talking directly to you, not orating to a crowd. And I think that needs to be savored, because we won’t be getting this often.
MJF and William Regal: “You still have a lot to prove” (Dynamite)
It breaks my heart knowing this was one of William Regal’s final addresses in AEW. Both villains played off of each other well, and together they would represent a dynamic between opposing generations that extends beyond pro wrestling. It always just works out memorably when we get promos that don’t simply lead to a match or squabble, but potentially something bigger. That something bigger, little did we know it, was Regal preparing for a goodbye and creating a bigger demon in the process. And his sick logic worked.
Britt Baker: “This is my house” (Dynamite)
Britt Baker is pretty much accepted as the #1 woman on the microphone. It feels like she’s coasted for the longest time, with the lack of variety in her usual material, that is until Saraya arrived.
All we really needed was somebody to threaten Baker’s spot, and has the ability to hit her where it hurts most: her ego. And when superstar Saraya made the mistake of minimizing Baker’s work to attain her status in AEW, this is the responses we got. Just Baker standing up for herself, looking visibly emotional, and in a world of loud, cheap noises, voices like this are what we live for.
Athena attacks Aubrey Edwards (Rampage)
Rampage typically isn’t the show for big moments. On top of this, Athena hadn’t been heavily featured on TV to foreshadow enough what would happen here.
If you’ve seen the video of Rey Fenix (of all people) superkicking Aubrey Edwards on the indies, the crowd lost their marbles, trading their support for Fenix in favor of Edwards. The collective concern was crazy then, just like it was on this night when Athena decided to deck Ref Aubrey in the face. Must be something about how Edwards gets hit, but damn is it a way to shed your goodwill.
And all Athena got was a one-week suspension? The hell, Tony?
Chris Jericho v Action Andretti (Dynamite)
These two had the crowd in the palm of their hands the moment Action Andretti survived a Codebreaker. This estimated 10-minute runtime saw false finishes, narrow escapes, and dynamic aerial offense that saw Andretti split advantage with inaugural AEW World Champion Chris Jericho. While I am putting an entire match in this list of Best Moments of 2022, we all know why it’s here. It’s suspense, bewilderment, shock, and spectacle that grows larger with each passing moment. And with a beautiful running shooting star press, it all explodes.
Outside of Anarchy in the Arena, and Eddie Kingston at Revolution — and I do mean this — this is Jericho’s best match in 2022.
- William Regal debuts (Revolution)
- William Regal aligns with MJF (Full Gear)
- Jon Moxley’s emotional return (Jan)*~
- Dax Harwood: “Fight like an 8-year-old girl” (Jul)~
- Jungle Boy: “Christian Cage, you’re the biggest pussy I’ve ever seen in my entire life” (Jul)
- Justin Roberts’ Kenny Omega intro dissing Will Ospreay (Aug)
- Riho returns (Oct)
- Colt Cabana returns (Nov)
- MJF knocks out William Regal (Nov)
- Adam Page gives a medical update (Dec)~
~I won’t fairly evaluate these.
- Moxley and Danielson: “I like violence in my pro wrestling” (May)
- Dalton Castle: “Peacock Power” (Oct)
- Dustin Rhodes and Orange Cassidy shatter Kip Sabian (Dec)
- Orange Cassidy stealing Mark Henry’s catchphrase (running gag)
The author’s Moment of the Year 2022:
MJF: “I don’t like me, either” (Dynamite)