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Star Trek: Picard: “Remembrance” Introduces a Different Picard

The question ‘which Star Trek captain is your favorite?’ is perhaps one of the easier questions to answer when discussing Star Trek. For all the charm of Captain Kirk and the intimidation that Captain Sisko imposes, none have been quite so complete has Captain Jean-Luc Picard; a role made much easier when the character is portrayed by one of the greatest living actors, Sir Patrick Stewart. So when Star Trek: Picard was announced, expectations were always going to be high, and when the first episode, “Remembrance” aired, expectations were delivered.

In Star Trek: Next Generation, there are some sublime performances by Sir Patrick Stewart that leave Captain Picard as one of the most emotionally distressing characters in the franchise as a whole. From his breakdown in Season 4, Episode 2, when he visits his brother after being detached from the Borg, to Season 6, Episodes 10 and 11, where Picard is interrogated by the Cardassians, resulting in his torture, there have been moments that have changed Picard resulting in the man we see in Star Trek: Picard.

Indeed, “Remembrance” was entirely emotional from start to finish. This isn’t a Star Trek of the past but a drama for the future. From the ongoing suspense to the incredible orchestra to help define each moment, this is a different Star Trek to other modern adaptions such as Star Trek: Discovery, with a cliff hanger so intense that I’m not sure whether it’s the Romulans or the Borg to be worrying about.

Remembrance” starts with Picard dreaming about playing poker with Data, only for the planet Mars to ignite in a series of flames and Picard waking up in the panic. Later on, it is shown that synthetic lifeforms attacked Mars previously, which led to a ban on artificial lifeforms in the Federation. This hindered the rescue efforts to save refugees after the Romulan star went supernova, resulting in Picard resigning from Starfleet.

It’s a lot of detail in a relatively short period of time, and Sir Patrick Stewart does a wonderful job of ensuring the mood remains mellow. In fact, it’s a testament to the writers themselves, who have managed to show the viewers the background story in remarkable detail without it feeling too heavy or forced. This sets up perfectly for Picard to meet Dahj, a synthetic lifeform whose life is in danger.

Isa Briones does a fantastic job of portraying the emotional distress that Dahj is in, particularly when her boyfriend is murdered right in front of her eyes. Her strengths are shown in great detail, with numerous small fight scenes with Vulcan assassins, right until her premature death. The problem is sometimes these fight scenes seem like they’ve been taken out of a Marvel film. While it’s great Star Trek continues to adapt to a modern audience, not every feature on TV needs to emulate Marvel; the less of Marvel we have the better.

On that note, it will be interesting to see which direction the series decides to take. Is it going to be more of Picard leading the way in space, or will the series divulge into a Marvel-esque series of action-packed fight scenes? The box has been opened and there are a lot of toys to choose from, let’s hope the writers chose wisely! Or if not, at least we already know Picard can guide the starship, no matter what peril might await us.

Written By

Lost his ticket on the 'Number 9' Luxury Express Train to the Ninth Underworld. Has been left to write articles and reviews about games to write off his debt until the 'powers that be' feel it is sufficiently paid.

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