Film
Greatest Feminist Icons in Horror #1: Jess Bradford
Jess isn't a feminist because she wins, but because she doesn't give up on her sisters or herself.
Jess isn't a feminist because she wins, but because she doesn't give up on her sisters or herself.
Emotional vulnerability is feminist as f*ck.
Although both women differ significantly in their approaches to saving their families, both are ultimately just trying to protect their...
Her strength throughout the movie isn't a result of the tumultuous situation she's being forced into, but rather it's simply...
There's something undeniably feminist about the legacy she—and Shelley Duvall—have left horror audiences.
Sidney Prescott is courageous, unyielding, and tough and nails despite her vulnerability.
If Ginger's narrative is centred on what it means to claim power and agency, then Brigitte's is centred on what...
The idea that a woman could be sexually active, exerting her power, and not needing to get married for support...
Ripley is a mother trying to protect her progeny from the threat of another mother (the queen of the xenomorphs)....
It's not the physical violence that's important in these rape-revenge narratives, but recuperating what was lost through these traumatic attacks.