Film
Greatest Feminist Icons in Horror #13: Mary Mason
It's not the physical violence that's important in these rape-revenge narratives, but recuperating what was lost through these traumatic attacks.
It's not the physical violence that's important in these rape-revenge narratives, but recuperating what was lost through these traumatic attacks.
How much sympathy should you have for Craig Carton? That’s the big question at the heart of Wild Card: The...
London Film Festival 2020 Newly happily married and giddy from the excitement of their dream wedding being fully realized, a...
Keeping its perspective at a dog's-eye level, 'Stray' is a great look at man's best friend left alone in Istanbul.
The struggle of making it to the top has rarely been as acutely observed as in The Disciple, playing at...
An exploration into the language of dreams.
Gareth Evans has become known for a few things: slick films with a grimy atmosphere and enough blood to satiate...
If you think you'll get out alive, You must be dreaming.
The first film in Steve McQueen's Small Axe anthology, Mangrove sees the acclaimed director expertly depict Black British history.
Feeling like a compilation of other classic black-and-white arthouse classics, Shadow Country can't quite find its own visual identity.
Frankenstein demonstrates far more character development and intelligence than many who only know the film vaguely would expect.
31 Days of Horror Our 31 Days of Horror series makes a decisive switch of gears with a look at...
Two works from Inside Out Film Festival tackle the struggle of living authentically, confronting outdated attitudes in two different places.
Clarice reminds viewers that sometimes the most courageous displays of feminism aren't grand gestures, but everyday actions of dissent against...
Heartbreaking, terrifying, and—much like the ghosts of Bly, it will absolutely haunt you.