Film
Steve McQueen’s Widows Stylishly Explores Its Genre Trappings
There’s an intriguing duality that clings to Steve McQueen’s new film, Widows. For much of its runtime, the movie works as a...
There’s an intriguing duality that clings to Steve McQueen’s new film, Widows. For much of its runtime, the movie works as a...
Before the release of Bryan Singer’s Bohemian Rhapsody, the biggest concern was that the film would elide Freddie Mercury’s sexuality...
Nary a pair of black gloves is seen throughout most of Luca Guadagnino’s Suspiria — that is, until late in...
If there’s one thing that Drew Goddard loves, it’s a puzzle. The solvers aren’t always the same, however; in The...
You can never really trust an actor when they announce their retirement, but if Robert Redford is to be believed,...
It’s a truism that Paul Greengrass loves a tragedy. From his earliest TV work to films including United 93 and...
Mike Leigh's historical drama, "Peterloo," is a Janus-faced work of art — half didactic mess, half furious masterpiece.
TIFF 2018 was my first major film festival. My recent readings from the French master Robert Bresson fundamentally altered how...
During the lead-up to the release of Gaspar Noé’s newest provocation, Climax, he released a one-sheet that’s perhaps the most...
It’s the best of times and the worst of times for a film like A Star Is Born. The best,...