Film
TIFF 2018: ‘The Lie’ Is a Monochromatic Mess
Canadian crime auteur Veena Sud's present a half-baked neo-noir that needs a sense of humor.
Canadian crime auteur Veena Sud's present a half-baked neo-noir that needs a sense of humor.
Melissa McCarthy finds her best role yet as writer-turned-forger Lee Israel in this tragi-comedy.
It’s fashionable to refer to most modern Westerns as “revisionist,” which usually ends up being a lazy shorthand for “not...
Crime fictions, particularly police and detective thrillers, have always had a certain element of distance. The principal work is being...
To paraphrase the best line from Wes Anderson’s entire career, “What everyone knows is Avenue Q created the definitive work...
Earlier this year, a study conducted by the Conference on Jewish Material Claims Against Germany found that thirty-two percent of...
BlacKkKlansman, the newest theatrical feature from Spike Lee, is remarkable in a number of ways. It’s the beneficiary of an...
Mission: Impossible – Fallout Review Despite all the talk of immersive cinema, new technologies that are meant to make film...
Battle rap, the musical subspecialty that’s better known today for its parodies, makes a triumphant return in Joseph Kahn’s Bodied....
Destiny: The Tale of Kamakura is a film displaced in time. It seems to yearn for a simpler time, free...