Connect with us
Nommer 37 Number 37 Review
Image: Dark Star Pictures

Film

Number 37 Is a Taut Update of Rear Window

One of the highlights of Fantasia 2018 is this update on Alfred Hitchcock’s Rear Window, now transported to a crime-riddled neighborhood in South Africa.

Number 37 Review

Of all Alfred Hitchcock’s masterpieces, Rear Window seems the least likely to connect to modern audiences. It has been the beneficiary (or victim) of numerous remakes and homages, to the point that its central story is familiar to most people, even if they haven’t actually seen the movie. The plot about a man who spies on his neighbors and in the process discovers a possible crime was sordid at the time, and is now even more so — plenty of viewers wouldn’t even give an ounce of sympathy to a man who peeps in on the private moments of others.

But Number 37, a new thriller from South Africa, suggests that maybe this story hasn’t been completely played out. The basic premise of Rear Window remains — a man peeps on his neighbors across the street with a pair of binoculars. But writer and director Nosipho Dumisa has crafted a story that’s not merely a Hitchcockian homage, but a pleasantly suspenseful thriller from an emerging talent worth watching.

Number 37
Image: Dark Sky Films

Randal (Irshaad Ally) lives with his girlfriend, Pam (Monique Rockman), in a poor and crime-riddled neighborhood in South Africa. Randal has aspirations of luxury and wealth, things he hopes to obtain through a major drug deal that he has financed with the help of a loan shark notorious for exacting a frightful price for non-payment. When the deal goes south and Randal can’t repay his loan, he’s beaten to the point of paralysis. Newly wheelchair-bound and confined to his apartment, he begins watching the neighborhood with a pair of binoculars. During one gazing session, he comes upon a gang of petty criminals who murder a corrupt police officer. Fueled by a burst of hope and desperation, Randal plans to blackmail the killers in exchange for his silence, using the money to pay off his debts. Of course, it’s not quite that simple, and Randal comes to regret his ambitions.

Number 37 is based on a short of the same name made a few years prior. Dumisa’s visual style is a bit lacking — it uses many of the clichés of crime films rather than feeling particularly new — yet her great strength is in coaxing compelling performances out of her actors. There’s a noticeable change after Randal’s accident in which he casts off most of the boisterous personality that he put on when performing as a drug dealer. Ally expertly allows the character to break down as he fears for Pam’s life and his own. Rockman is particularly strong in the Grace Kelly role; a scene in which she tries to find a bag of money in the killers’ apartment is thoroughly chilling.

Image: Dark Sky Films

Yet despite how suspenseful Number 37 is, it’s impossible to ignore the fact that it’s basically a remake of Rear Window. If anything, that knowledge might complicate the current distaste toward remakes that afflicts so many cinephiles; after all, there’s nothing inherently wrong with a remake. Find a talented director, an inventive screenwriter, and a stellar cast, and you can still end up with a compelling film.

Written By

Brian Marks is Sordid Cinema's Lead Film Critic. His writing has appeared in The Village Voice, LA Weekly, The Los Angeles Times, and Ampersand. He's a graduate of USC's master's program in Specialized Arts Journalism. You can find more of his writing at InPraiseofCinema.com. Best film experience: driving halfway across the the country for a screening of Jean-Luc Godard's "King Lear." Totally worth it.

Click to comment

Leave a Reply

Your email address will not be published.

Facebook

Trending

Greatest Canadian Movies Greatest Canadian Movies

Made in Canada: The 80 Greatest Canadian Movies of All Time

Film

Queer As Folk 1999 retrospective Queer As Folk 1999 retrospective

Queer As Folk – A Cultural Milestone

TV

Stranger Things Season 4, Chapter 4 "Dear Billy" Review Stranger Things Season 4, Chapter 4 "Dear Billy" Review

Stranger Things Hits a Terrifying Home Run with “Chapter 4: Dear Billy”

TV

John Carpenter's The Thing 1984 movie retrospective John Carpenter's The Thing 1984 movie retrospective

Ambiguity Makes for Better Horror in 1982’s The Thing

Film

The Witch: Part 2. The Other One The Witch: Part 2. The Other One

The Witch: Part 2. The Other One is a Disappointing Genre Hybrid

Culture

Web of Make Believe review Web of Make Believe review

Netflix’s The Web of Make Believe Gets Off to a Scary Start 

TV

Stranger Things Season 4, Chapter 6 "The Dive" Stranger Things Season 4, Chapter 6 "The Dive"

Stranger Things Scrapes the Bottom with “Chapter 6: The Dive”

TV

Stranger Things Catches Its Breath with “Chapter 5: The Nina Project”

TV

Jurassic World Dominion - Tilt Jurassic World Dominion - Tilt

Jurassic World Dominion Misunderstands the Entire Franchise’s Allure

Film

Ranking the 10 best Stranger Things characters Ranking the 10 best Stranger Things characters

10 Best Stranger Things Characters

TV

Stranger Things Screeches To a Halt with “Chapter 7: The Massacre at Hawkins Lab”

TV

The Interceptor The Interceptor

Netflix’s The Interceptor is Sunk by Laziness

Culture

The Wilds vs. Yellowjackets: Which is Better? The Wilds vs. Yellowjackets: Which is Better?

The Wilds vs. Yellowjackets— Which is Better?

TV

Rutger Hauer Rutger Hauer

Blade Runner and the Particular Qualities that Noir Fans Can Appreciate

Friday Film Noir

Stranger Things Pulls Itself Together with “Chapter 3: The Monster and the Superhero” Stranger Things Pulls Itself Together with “Chapter 3: The Monster and the Superhero”

Stranger Things Pulls Itself Together with “Chapter 3: The Monster and the Superhero”

TV

Queer as Folk 2022 Review Queer as Folk 2022 Review

Queer As Folk Perfectly Blends Tradition and Innovation

TV

Connect