Connect with us
WHITE NOISE - (L-R) Don Cheadle (Murray) and Adam Driver (Jack). Cr: Wilson Webb/NETFLIX © 2022

Film

Noah Baumbach’s White Noise is a Huge Swing that Only Partially Connects 

White Noise Review

Noah Baumbach doesn’t usually have chase scenes or train crashes in his movies. They’re more likely to draw fireworks from people getting divorced, talking about getting divorced, or lamenting how hurt they still are by their parent’s divorce. 

Instead, Baumbach’s new film is a bit of a 180. Not only is it the highest budget he’s ever worked with, but it’s much more ambitious: It’s an adaptation of Don DeLillo’s much-loved 1985 novel, one of those books long though unadaptable. Directors from James L. Brooks to Barry Sonnenfeld have taken cracks at it in the past, but Baumbach is the one who got it to the finish line, with a big release set for the end of the year in theaters and on Netflix (after Baumbach’s 2019 Marriage Story, the most memed film of 2019.) Following a Venice debut, White Noise was the opening night film at the New York Film Festival on September 30, where I saw it.

“White Noise,” the novel — which I have not read, although I gather that the film is rather faithful — is about family, academia, possibly apocalyptic events, and about a half-dozen other big ideas, all while juggling tones ranging from comedy to satire to horror. 

White Noise 2022 film review
Image: Netflix

Baumbach has sought to juggle all of those tones in the film version, and while there’s a lot of truly great stuff here, the director hasn’t quite pulled it all together. It’s a very complicated story, and it’s very understandable that the novel remained unadapted for the better part of 40 years. 

The story focuses mostly on Jack Gladney (Adam Driver), a professor of “Hitler Studies” who lives with his wife Babette (Greta Gerwig, wearing a blond perm that must be seen to be believed) and their blended family of four kids. Two of them are played by Sam and May Nivola, the son and daughter of Alessandro Nivola and Emily Mortimer. Sam, in particular, is like the second coming of the young Jesse Eisenberg. 

White Noise
Image: Netflix

The early scenes establish this family, as well as their university life, in which Jack often goes toe-to-toe with Prof. Murray Siskind (a never-better Don Cheadle.) 

The academic stuff, which also features the likes of Andre Benjamin and Jodie Turner-Smith, is the best thing about the movie, and a scene in which Driver and Cheadle deliver dueling lectures about Hitler and Elvis is one of the best of the year. 

The film’s second act is built around something called the “Airborne Toxic Event,” when a train collision leads to a massive cloud that leads to both a short-term medical crisis and longer-term existential dread- one particular aspect of DeLillo’s novel which, needless to say, has taken on new resonance in the present day. The third act is about that angst, as manifested in the two leads’ corresponding fears of death, as well as detours into the caper and horror genres. 

White Noise
Image: Netflix

What undeniably works in the film are the performances. Driver, who put on weight for the role, acts somewhat against type but nails it, while Gerwig plays a one-of-a-kind character while acting in a film with her real-life partner, Baumbach, for the first time since Mistress America in 2016. (Driver and Gerwig last worked together in 2012’s Frances Ha.) The ’80s period detail is also wonderful, as the film masterfully recreates the Ohio of the 1980s.  The big setpieces are well-executed by Baumbach, who has mostly, in the past, directed people in rooms talking (though there’s plenty of that too.) The humor mostly delivers, and Danny Elfman’s score is fantastic. 

What Baumbach doesn’t exactly nail is the pacing, as well as bringing it all together. It’s hard to nail down, exactly, what the movie’s big ideas are. And it ends with a much-ballyhooed end credits scene, scored with a new song from LCD Soundsystem. But the song, sadly, isn’t very good. 

Baumbach has taken a huge, huge, swing here, and delivered some great things. But when it comes to filming this famously “unfilmable” novel, he hasn’t quite cracked it. 

Written By

Stephen Silver is a journalist and film critic based in the Philadelphia area. He is the co-founder of the Philadelphia Film Critics Circle and a Rotten Tomatoes-listed critic since 2008, and his work has appeared in New York Press, Philly Voice, The Jewish Telegraphic Agency, Tablet, The Times of Israel, and RogerEbert.com. In 2009, he became the first American journalist to interview both a sitting FCC chairman and a sitting host of "Jeopardy" on the same day.

Click to comment

Leave a Reply

Your email address will not be published. Required fields are marked *

Facebook

Trending

Michael Jackson’s Thriller Michael Jackson’s Thriller

The Making of Michael Jackson’s Thriller, the Best Music Video Ever Made

TV

BEST AEW PPV Matches 2022 BEST AEW PPV Matches 2022

Best AEW PPV Matches of 2022

Wrestling

Godzilla vs. Gigan Rex Godzilla vs. Gigan Rex

Godzilla vs. Gigan Rex Review: One of Godzilla’s Finest Recent Outings

Culture

Lost Bullet 2 Lost Bullet 2

Lost Bullet 2 Delivers The Finest of Vehicular Mayhem

Film

Greatest Film Noir Movies Greatest Film Noir Movies

Noirvember: 50 Greatest Film Noir Movies Part 1

Culture

Noirvember: 50 Greatest Film Noir Movies Part 2 Noirvember: 50 Greatest Film Noir Movies Part 2

Noirvember: 50 Greatest Film Noir Movies Part 2

Culture

Blockbuster, photo via Netflix Blockbuster, photo via Netflix

Blockbuster: Netflix’s Latest Workplace Comedy Misses the Mark

Culture

Guillermo del Toro’s Pinocchio movie review Guillermo del Toro’s Pinocchio movie review

Guillermo del Toro’s Pinocchio Breathes New Life into the Classic Fable

Culture

Streaming services Streaming services

Streaming Wars and Streaming Headaches

Culture

Prince Namor The Submariner Prince Namor The Submariner

Who is Prince Namor, the Sub-Mariner in Wakanda Forever?

Culture

Black Panther: Wakanda Forever (2022) review Black Panther: Wakanda Forever (2022) review

Black Panther: Wakanda Forever is a Flawed but Worthy Follow-Up

Film

A Dickensian Disaster: Spirited is a Practically Unwatchable Take on A Christmas Carol

Film

Montreal Screwjob Montreal Screwjob

25 Years of the Montreal Screwjob, the Moment that Changed Everything in Wrestling 

Culture

Black Panther Black Panther

Recasting the Deceased: T’Challa, Dumbledore, and the Worst Hollywood Problem

Culture

2022 Box office saviours 2022 Box office saviours

Why Hope Still Exists at the Box Office

Features

She Said movie review She Said movie review

She Said is a Deft but Unremarkable Investigative Procedural

Culture

Connect