Connect with us
Meet Me in the Bathroom
image: Sundance Film Festival

Film

Meet Me in the Bathroom Remembers New York’s Last Great Rock Era 

Sundance 2022: Meet Me in the Bathroom 

I should be close to the target audience for Meet Me in the Bathroom, the new documentary from directors Dylan Southern and Will Lovelace about the rock scene in New York City in the early 2000s, in which the main bands were The Strokes, The Yeah Yeah Yeahs, The Moldy Peaches and Interpol.  

I lived in New York at the time in question and liked a lot of that music, especially the Strokes. I didn’t go to many rock shows, although I did see The Strokes at least twice, including with The White Stripes at Radio City Music Hall. 

That particular genre didn’t really have an official name; it was sometimes called “post-punk,” or “post-alternative,” or “DIY,” but none of that quite fit. But that music all added up to a very specific epoch from which a lot of great music was made, recalling for many the grunge era that exploded from Seattle about a decade prior. The difference was, the music didn’t cross over nearly as much into the mainstream, and the era lasted a remarkably short time, straddling a year or two on either side of the 9/11 attacks. 

The Meet Me in the Bathroom documentary, based on Lizzy Goodman’s book-length oral history of the same name, offers a lot to enjoy for those who remember those days, but it’s also a bit of disappointment. This is mostly because it sticks to a found-footage, all-archival format, the sort of thing that works a lot of the time, but isn’t really right for this. A more conventional approach, featuring contemporary on-camera interviews with all involved, might have actually been preferable, for once. 

I think Todd Haynes’ The Velvet Underground, last year, spoiled us, in its masterful use of archival footage in a documentary about a short-lived New York rock scene of the past. That film found a very inventive way to put the footage together, while this one is more pedestrian in its editing and footage selection. 

Last year’s Woodstock ’99 documentary had as its subtext that the music that was popular at the time self-evidently sucked. Meet Me in the Bathroom examines the music that emerged just a short time later. But I give it credit for looking honestly at why this era didn’t last and why the Strokes, in particular, never took that next big step. It was some glorious music, although sadly most of it didn’t have staying power. 

What I remember from that era was that the Strokes and White Stripes were both contemporaries and essentially neck-and-neck for a time. And while the White Stripes broke through around the same time and performed in New York fairly often, they were from Michigan, and therefore not considered part of the scene (or the documentary.) Since “Seven Nation Army” is played in football and soccer stadiums around the world, their music has endured much more than that of any of the other bands featured here. 

The documentary’s most compelling figure, by far, is Yeah Yeah Yeahs frontwoman Karen O, a biracial New Jersey girl who came to New York and became the one major female figure in that scene. 

Begins and ends with Walt Whitman poetry, over city footage- almost the same conceit as a series of famous Levi’s commercials from the late aughts (which were directed, it turns out, by Cary Fukunaga.) But aside from that, the film is relatively uninteresting visually. 

The two directors previously made a concert documentary, Shut Up and Play the Hits, about the “final” concert of the band LCD Soundsystem and the decision by its frontman James Murphy to step away; that retirement, like most in music, proved temporary. There’s a lot of Murphy and LCD here as well, even though I never really associated that band with this particular scene. Also on camera? Ryan Adams, the since-disgraced singer-songwriter, whose most famous song during that period was about his decision to leave New York.  

If this particular music means anything to you, you should see this film once it becomes widely available; there was no word out of Sundance on distribution, but it would seem a perfect fit for HBO Max’s Music Box series. Even so, Meet Me in the Bathroom should have been a lot better. 

The 2022 Sundance Film Festival will be held January 20-30 online and on Satellite Screens across the United States. For more info, please visit the official website.

Written By

Stephen Silver is a journalist and film critic based in the Philadelphia area. He is the co-founder of the Philadelphia Film Critics Circle and a Rotten Tomatoes-listed critic since 2008, and his work has appeared in New York Press, Philly Voice, The Jewish Telegraphic Agency, Tablet, The Times of Israel, and RogerEbert.com. In 2009, he became the first American journalist to interview both a sitting FCC chairman and a sitting host of "Jeopardy" on the same day.

1 Comment

1 Comment

  1. mincon

    January 29, 2022 at 4:54 pm

    We get it. You are a White Stripes (vastly inferior band) fan. If you had even basic knowledge of The Strokes, YYYs, Interpol, and LCD, then you would know that they are currently selling out arenas and headlining festivals worldwide. That’s called “staying power,“ amigo.

Leave a Reply

Your email address will not be published. Required fields are marked *

Facebook

Trending

Lauryn Hill Joins Drake On Stage During Night 1 Of Wireless Festival

Celebrity

Taylor Rooks Seemingly Responds To Drake’s Mention In Unreleased Song From “ICEMAN” Livestream

Celebrity

Jurassic World Rebirth review: Scarlett Johansson and Jonathan Bailey help the franchise roar back to life

Film

15 Best Military Movies Of All Time, Ranked

Film

Fat Joe accused of sex acts with minors in $20 million lawsuit filed by former hype man, rapper denies allegations

Celebrity

Star Trek: Strange New Worlds Season 3 Review: The Best Trek In Decades Doesn’t Miss A Beat

Film

Mello Buckzz’s Boyfriend Shot-&-Killed During Her Mixtape Release Party

News

Tyler Perry Pops Out At Beyonce Show In Paris Amid Sexual Assault Lawsuit

Celebrity

The Best Albums of 2025 (So Far)

Film

Lil Wayne “Tha Carter VI” Review

Celebrity

Trillian, Busta Rhymes’s Son, Prepares To Inherit The Throne: On NLE Choppa Collab, Lyrically Sparring With His Dad & The Significance Of Lil Wayne’s “10,000 Bars”

Celebrity

Eminem’s Stalker Gets Lengthy Prison Sentence For Home Invasion

News

Jameela Jamil Net Worth: Actress, Advocate, and Influencer

Celebrity

YNW Melly’s Family Shows Up To Support Him At Court Hearing

Celebrity

‘Christy’ Review: Brothers Estranged by the Care System Rebuild Their Bond in a Moving Irish Crowdpleaser

Film

Sabrina Carpenter unveils new album art ‘approved by God’ after controversy over original’s suggestive imagery

Celebrity

Connect