Connect with us
Scanners 1981 Criterion Review

Film

40 Years Later: David Cronenberg’s Scanners

A scientist sends a man with extraordinary psychic powers to hunt others like him.

Scanners is much more than exploding heads…

In the early stages of Cronenberg’s career, he established himself as a prolific director of horror films by splicing his features with science fiction elements.  His efforts in creating a new sub-genre went unnoticed until his seventh film, Scanners.

At the time of its release, Scanners did not receive a lot of critical acclaim but became successful enough for Cronenberg to break into Hollywood.  For film fans, its classic yet graphic scenes are now part of 1980’s cinema that saw him with fellow director Paul Verhoeven define the era with their now-cult films (Robocop, Total Recall, The Fly).

David Cronenberg's Scanners 1981 Criterion Review

Scanners follows Cameron Vale (Stephen Lack), who is mysteriously captured by defense and weapon company ConSec.  Unbeknownst to him, he is a Scanner: an individual who has unexplained telepathic powers – and he is not the only one in the world.  He is then assigned to bring down powerful rogue Scanner Darryl Revok (Michael Ironside), who has declared war against Consec.

Their thoughts can kill!

Scanners seems mundane until fifteen minutes in, when Revok infamously blows up Louis del Grande’s head during a scanning demonstration by ConSec. However, between this and the climactic scene between him and the protagonist, gifted yet social recluse Vale, the horror elements are somewhat lacking.  Scanners is primarily a science fiction feature due to the use of supernatural powers in (at the time) present-day America.

David Cronenberg's Scanners 1981 Criterion Review

The plot doesn’t really go past the quintessential battle between good and evil (plus it echoes a similar thread to Cronenberg’s previous feature, The Brood), and the performances between top billing stars Stephen Lack and Jennifer O’Neill are not as engaging as Ironside’s megalomanic Revok or even McGoohan’s deluded Dr. Ruth.  You would have thought that the good guys would have a bit more conviction in surviving a new era of killer psychics, but instead you have Vale, whose wide-eyed innocence may help mask the extent of his abilities but doesn’t help convince the audience that he can pull off being a would-be corporate agent.

To be honest, the film is more about a mystery about the corruption and influence of big corporations veiled behind its horror and science fiction references.  You have Revok and Consec security head Keller, conspiring with each other as well as Consec’s head of Scanner division, Dr. Ruth (Patrick McGoohan) pushing Vale to work for the company due to his unparalleled powers.  These subplots are not really covered in great detail as is the battle between good and evil, which is a shame because this could have given Scanners more depth past its impressive feats in make-up and special effects.

David Cronenberg's Scanners 1981 Criterion Review

In fact, this probably is Scanners‘ saving grace.  The head explosion is graphic, to say the least, but the sheer shock of beef livers being shot to hell with a shotgun is not easily forgotten, similar to the final scene in Brian de Palma’s The Fury.  It is Cronenberg’s vision in the genre splicing that contributed to the success of his future acclaimed remake The Fly, so Scanners was the first step in his establishment of a major Hollywood player.

Scanners may now be known as a cult film due to its B-movie aspects and overshadowed by Cronenberg’s future features, but without it, the 1980s would not be the same.

  • Katie Wong

Editor’s Note: This article was originally published under our old brand, Sound On Sight.

Now Streaming

David Cronenberg's Scanners 1981 Criterion Review
Written By

Click to comment

Leave a Reply

Your email address will not be published.

Facebook

Trending

Greatest Canadian Movies Greatest Canadian Movies

Made in Canada: The 80 Greatest Canadian Movies of All Time

Film

Queer As Folk 1999 retrospective Queer As Folk 1999 retrospective

Queer As Folk – A Cultural Milestone

TV

The Witch: Part 2. The Other One The Witch: Part 2. The Other One

The Witch: Part 2. The Other One is a Disappointing Genre Hybrid

Culture

John Carpenter's The Thing 1984 movie retrospective John Carpenter's The Thing 1984 movie retrospective

Ambiguity Makes for Better Horror in 1982’s The Thing

Film

Web of Make Believe review Web of Make Believe review

Netflix’s The Web of Make Believe Gets Off to a Scary Start 

TV

Stranger Things Season 4, Chapter 6 "The Dive" Stranger Things Season 4, Chapter 6 "The Dive"

Stranger Things Scrapes the Bottom with “Chapter 6: The Dive”

TV

Ranking the 10 best Stranger Things characters Ranking the 10 best Stranger Things characters

10 Best Stranger Things Characters

TV

Stranger Things Catches Its Breath with “Chapter 5: The Nina Project”

TV

Stranger Things Screeches To a Halt with “Chapter 7: The Massacre at Hawkins Lab”

TV

Jurassic World Dominion - Tilt Jurassic World Dominion - Tilt

Jurassic World Dominion Misunderstands the Entire Franchise’s Allure

Film

The Umbrella Academy Gets Emotional, Mysterious, and Slightly Too Large With Season 3

TV

The Making of Jaws – Steven Spielberg’s Masterpiece The Making of Jaws – Steven Spielberg’s Masterpiece

The Making of Jaws – Steven Spielberg’s Masterpiece

Film

Rutger Hauer Rutger Hauer

Blade Runner and the Particular Qualities that Noir Fans Can Appreciate

Friday Film Noir

Rise is Giannis Antetokounmpo’s Inspiring but Disney-fied Origin Story 

Film

Stranger Things Papa Stranger Things Papa

Stranger Things (Slowly) Prepares for the End in “Chapter 8: Papa”

TV

Best 4th of July Movies Best 4th of July Movies

The Best 4TH of July Movies

Film

Connect