Connect with us
Muhammad Ali Ken Burns Documentary Series
Image: PBS


Ken Burns’ Muhammad Ali Takes a Completist Look at the Life of the Greatest

Muhammad Ali Review

Anyone who has followed the life of Muhammad Ali knows a certain fact about the boxing champ’s cinematic legacy: There have been many, many documentaries made about him. 

Most of those documentaries have covered specific aspects of Ali’s life. When We Were Kings, the Best Documentary Oscar winner in 1996 and one of the greatest sports documentaries of all time, focused on the “Rumble in the Jungle” fight between Ali and George Foreman, in 1974. Over the years there have been whole documentaries about other individual fights, about Ali’s friendship with Dick Cavett, his influence on the development of rap music, and numerous other things.

Just this year, we’ve had City of Ali, which focused on the boxer’s relationship with his hometown of Louisville and its reaction to his death and funeral, and Blood Brothers: Muhammad Ali and Malcolm X, which was about their friendship and Ali’s drawing into the Nation of Islam. 

Now, there’s Muhammad Ali, Ken Burns’ treatment of Ali’s entire life, which covers those topics and much, much more. The film, credited to Burns and his daughter and son-in-law Sarah Burns and David McMahon, is very much what one expects from a Burns project: A multi-part, hours-long, extremely in-depth treatment of a subject of great American importance, on PBS. And Muhammad Ali is indeed very long- it has a total running time of 452 minutes or 7 and a half hours. 

Muhammad Ali Ken Burns Documentary
Image: PBS

The film, which debuted September 19 and will air over the course of the following three nights, covers Ali’s life in tremendous depth, both in the ring and out. The extended running time makes room for large segments of all of Ali’s major fights, and also includes plentiful footage of Ali in interviews and in long periods of pre-fight boasting. Ali is an extraordinarily compelling person to watch fight and to hear talk, and Burns’ treatment offers a great deal of both.

Burns’ approach has one major asset and one major drawback. It’s a joy to watch for everyone who’s an Ali fan, because it gathers the entire story in one place, with all of the necessary fight and interview footage. This is especially great for those who are too young to remember any of Ali’s career, which at this point is most people. And Burns has expertly put together the footage, complete with narration by actor Keith David. 

On the other hand, there’s just about nothing here in the way of new information, or that will do anything to change the popular understanding of Muhammad Ali. And so many aspects of the film have already been covered by previous documentaries, as well as feature films like Michael Mann’s Ali and Regina King’s One Night in Miami. The section on the lead-up to the Rumble in the Jungle fight, as well as the fight itself, is well-done, even though we’ve already seen it in both When We Were Kings and in the entire third act of the Mann film.

The first episode covers Ali’s childhood as Cassius Clay and his early career, extending until 1964. The second covers the late 1960s, from Ali’s name change through 1970, and his being stripped of the championship. The third concentrates on Ali’s comeback and rivalry with Joe Frazier, while the fourth follows the Rumble in the Jungle and Thrilla in Manila fights, before devoting the final hour to the last 40 years of Ali’s life. This includes his final fights, his Parkinson’s battle, the Olympic torch moment in 1996, and other late Ali touchstones. Honestly, there was probably enough material for two or three more hours.

Muhammad Ali Ken Burns Documentary
Image PBS

Burns’ documentary provides the necessary social context to most of the proceedings, without overdoing it. While mostly laudatory, the film is willing to let its talking heads criticize Ali when necessary, mostly about his womanizing — for a time in the mid-’70s, he was essentially married to two women at once — about his break with Malcolm X, and about his over-the-top nastiness in the lead-up to his first fight with Frazier. The score has some wonderful instrumental jazz music on it, although the one misstep is the use of the Rolling Stones’ “Sympathy for the Devil” for the segment about Don King’s arrival.

The plentiful arrival footage is combined with expert talking heads, most of whom are journalists, biographers, and academics, including such modern-day sports doc perennials as Todd Boyd and Howard Bryant. There is, however, not much of the old, retired boxing writer cohort- one exception of the now-91-year-old Jerry Izenberg, who brings back his old chestnut about Ali and Frazier fighting for “the championship of each other.” And while Sports Illustrated‘s Gary Smith is retired, I’d have loved to hear from the man who did some of the best Ali journalism throughout the second half of the 20th century. 

There isn’t that much testimony from major figures in Ali’s story- after all, Ali died in 2016, none of the core members of his entourage are still alive either, nor are any of his major opponents, with the exception of Larry Holmes and George Foreman (Holmes is interviewed, while Foreman is not.) We do hear from two of his ex-wives and children. 

Muhammad Ali is ultimately useful as a collection of virtually all of the relevant footage and stories, and a must for Ali obsessives. However, don’t expect anything new or untold.

Written By

Stephen Silver is a journalist and film critic based in the Philadelphia area. He is the co-founder of the Philadelphia Film Critics Circle and a Rotten Tomatoes-listed critic since 2008, and his work has appeared in New York Press, Philly Voice, The Jewish Telegraphic Agency, Tablet, The Times of Israel, and In 2009, he became the first American journalist to interview both a sitting FCC chairman and a sitting host of "Jeopardy" on the same day.

Click to comment

Leave a Reply

Your email address will not be published.



Vesper poster Vesper poster

Vesper: Sci-Fi That Thinks Big With Limited Means


Full Metal Jacket (1987) Full Metal Jacket (1987)

Full Metal Jacket – Stanley Kubrick’s Misunderstood Masterpiece


Your Full List of All Upcoming Marvel Movies Your Full List of All Upcoming Marvel Movies

A Full List Of Upcoming Marvel Studios Film And TV Releases


Robocop 1987 Robocop 1987

RoboCop is a Social Satire That Gets More Relevant With Age


Neil Gaiman’s The Sandman: The 10 Greatest Comic Issues Neil Gaiman’s The Sandman: The 10 Greatest Comic Issues

Neil Gaiman’s The Sandman: The 10 Greatest Comic Issues


Nope Nope

Jordan Peele’s Nope Explained: A Spectacle of “Bad Miracles”


Alex's War (2022) Alex's War (2022)

Alex’s War, a Documentary Study of Alex Jones, Misses the Big Picture 


Signs movie review Signs movie review

M. Night Shyamalan Signs Finds Comfort at the End of the World


Biography: WWE Legends’ Look at Goldberg is One of the Best Wrestling Documentaries Ever 


All Out 2022 Predictions All Out 2022 Predictions

Way Too Early Predictions for All Out 2022


Detective vs Sleuths Detective vs Sleuths

Detective vs. Sleuths: Buckle Up for a Bumpy Ride


The Gray Man movie review The Gray Man movie review

Netflix’s The Gray Man is its Most Expensive and Emptiest Star Vehicle


Incredible Teenage Mutant Ninja Turtles: The Last Ronin Fan Film Takes The Franchise Into R-Rated Territory


Paul Verhoeven’s RoboCop 1987 Paul Verhoeven’s RoboCop 1987

Paul Verhoeven’s RoboCop is an Anti-Fascist Classic 


Marvel at San Diego Comic-Con Marvel at San Diego Comic-Con

Marvel at San Diego Comic-Con 2022: A Full Recap


High Noon at 70: When Time is of the Essence