Connect with us
The Royal Tenenbaums (2001)
Image: Touchstone Pictures

Film

The Royal Tenenbaums Is Wes Anderson’s True Masterpiece

Family Isn’t A Word… It’s A Sentence.

20 Years Later: The Royal Tenenbaums

Wes Anderson frequently gets accused of making the same movie over and over again, sometimes with many of the same people, to the point that they’re pretty but somewhat empty. 

That’s not exactly a fair criticism, as the stories are thematically different from film to film. And more importantly, the best of them deliver an emotional punch. And none more so than in 2001’s The Royal Tenenbaums, Anderson’s third film, and best overall, and one of my favorite movies of all time. 

A triumph of storytelling, music, performance, and production design, Tenenbaums assembled a New York-like city, with everything askew by about 10 degrees. It looks just like Manhattan, but streets, neighborhoods, and institutions all have different names than the real thing, like Arthur Avenue, Little Tokyo, and the 375th Street Y. 

The Royal Tenenbaums (2001)
Image: Buena Vista Pictures

The plot of the film tells a sweeping story of the rise and fall of an American family. Lifelong asshole Royal Tenenbaum (Gene Hackman, in one of his last great pre-retirement roles) had three children with Ethelene (Anjelica Huston): Financial genius Chas (played as an adult by Ben Stiller), tennis prodigy Richie (Luke Wilson), and young playwright Margot (Gwyneth Paltrow.) 

The family’s story is told in an ingenious opening voice-over, by Alec Baldwin, set to an instrumental version of the Beatles’ “Hey Jude.”: Royal had been tossed from the family years earlier, with none of the three children living up to their potential. And as the story catches up to the present day, he wants back in, even if it involves faking terminal cancer. 

Eli Cash (Owen Wilson) is Margot’s lover but wishes he was her sibling; Richie Tenenbaum (Luke Wilson) is her brother but wishes the opposite. There’s the added poignancy that Richie attempts suicide to a song by Elliott Smith- a singer who would himself die of suicide a few years later — and that his brother and costar, Owen, would have a well-publicized suicide attempt of his own a few years later.  

The Royal Tenenbaums (2001)
Image: Buena Vista Pictures

The story is one of redemption, as Royal tries to work his way back into his family’s good graces, first failing terribly but ultimately succeeding. 

The film features a great score by Mark Mothersbaugh, the best of any of his work for Anderson, and a first-rate soundtrack featuring a lot of Velvet Underground and Nico. It’s hugely funny, and Anderson’s most quotable movie by far; there’s even a fake Goodreads page for Eli Cash’s novel, “Old Custer” (“It’s written in kind of an obsolete vernacular.”) 

The emotional climax of the film is the Sparkplug Minuet scene, the best three minutes and 22 seconds of Anderson’s entire filmography: 

Anyone who ever called Wes Anderson’s work soulless likely hasn’t watched The Royal Tenenbaums, as the film provides a special mix of humor, character, and heart. 

Watch The Royal Tenenbaums

Now Streaming

Written By

Stephen Silver is a journalist and film critic based in the Philadelphia area. He is the co-founder of the Philadelphia Film Critics Circle and a Rotten Tomatoes-listed critic since 2008, and his work has appeared in New York Press, Philly Voice, The Jewish Telegraphic Agency, Tablet, The Times of Israel, and RogerEbert.com. In 2009, he became the first American journalist to interview both a sitting FCC chairman and a sitting host of "Jeopardy" on the same day.

Click to comment

Leave a Reply

Your email address will not be published.

Facebook

Trending

Greatest Canadian Movies Greatest Canadian Movies

Made in Canada: The 80 Greatest Canadian Movies of All Time

Film

Queer As Folk 1999 retrospective Queer As Folk 1999 retrospective

Queer As Folk – A Cultural Milestone

TV

John Carpenter's The Thing 1984 movie retrospective John Carpenter's The Thing 1984 movie retrospective

Ambiguity Makes for Better Horror in 1982’s The Thing

Film

The Witch: Part 2. The Other One The Witch: Part 2. The Other One

The Witch: Part 2. The Other One is a Disappointing Genre Hybrid

Culture

Web of Make Believe review Web of Make Believe review

Netflix’s The Web of Make Believe Gets Off to a Scary Start 

TV

Stranger Things Season 4, Chapter 6 "The Dive" Stranger Things Season 4, Chapter 6 "The Dive"

Stranger Things Scrapes the Bottom with “Chapter 6: The Dive”

TV

Ranking the 10 best Stranger Things characters Ranking the 10 best Stranger Things characters

10 Best Stranger Things Characters

TV

Stranger Things Catches Its Breath with “Chapter 5: The Nina Project”

TV

Stranger Things Screeches To a Halt with “Chapter 7: The Massacre at Hawkins Lab”

TV

Jurassic World Dominion - Tilt Jurassic World Dominion - Tilt

Jurassic World Dominion Misunderstands the Entire Franchise’s Allure

Film

The Wilds vs. Yellowjackets: Which is Better? The Wilds vs. Yellowjackets: Which is Better?

The Wilds vs. Yellowjackets— Which is Better?

TV

The Interceptor The Interceptor

Netflix’s The Interceptor is Sunk by Laziness

Culture

The Umbrella Academy Gets Emotional, Mysterious, and Slightly Too Large With Season 3

TV

Rutger Hauer Rutger Hauer

Blade Runner and the Particular Qualities that Noir Fans Can Appreciate

Friday Film Noir

Rise is Giannis Antetokounmpo’s Inspiring but Disney-fied Origin Story 

Film

Queer as Folk 2022 Review Queer as Folk 2022 Review

Queer As Folk Perfectly Blends Tradition and Innovation

TV

Connect