Connect with us
The Artist 2011 film review

Film

The Artist is a Perfect Throwback to a Lost Art

Image: Warner Bros.
Image: Warner Bros.

10 Years Later: The Artist

The Artist is a breath of fresh air for audiences sick of Hollywood films splattered with 3D gimmicks and lackluster CGI. Director Michel Hazanavicius pays homage to the golden age of Hollywood and fully succeeds at creating a silent film true to the spirit of those from the past, long before talkies ever came into existence. The Artist comes courtesy of the same team behind the OSS 117 spy-flicks, but what makes The Artist so very special and different is that this tribute has more to offer than just clever novelty – it has heart, and never devolves into parody or pastiche. For what is said to be a dream project for the director, The Artist is quite simply one of the best films of the past ten years.

With the OSS 117 films, Hazanavicius, along with his key collaborators – cinematographer Guillaume Schiffman, American production designer Laurence Bennett and costume designer Mark Bridges, recreated the spy movies of the late sixties and early seventies. Those films were perfect recreations of the period, films that felt like organic products of the era rather than carbon copies. Here they apply that exact same approach to the silent film, proudly reviving the 1:33 ratio, the almost-square dimensions that inspired the original idiot boxes while shooting at 22 frames per second (instead of the customary 24fps). The Artist not only boats the look of the era but the overall spirit of the late silent pics, notably their charisma, energy and emotional appeal. Most interesting; The Artist is an entirely French production masquerading as a Hollywood picture shot in the U.S. while using some sets from classic Hollywood films. Hazanavicius is meticulous when it comes to detail, and Schiffman’s luscious black and white photography, along with the terrific musical score by Ludovic Bource, is stellar.

The Artist

Putting aside production values, The Artist comes to life with the absolutely engrossing performances of its two leads. The physicality of both performers is pitch-perfect, instantly evoking the stylings of classic Hollywood stars. Jean Dujardin, with his suave trimmed moustache, cocked eyebrow and delightful smile, is incredible, eventually tap-dancing his way to fully winning our hearts. Dujardin sells his pathos-laden arc with magnetic confidence and elegance, and when he hits hard times, you can’t help but feel his loneliness and suffering. This isn’t a man who hit rock bottom and lost everything he had because of bad habits or behaviour but rather because of pride and the inability to adapt to the industry shifts in the era of early talkies. Bérénice Bejo, also of OSS 117 and wife to Hazanavicius, brings energy and life to her character without ever having to mutter a word. With her batty eyelashes, short dark hair, long bangs and stunning smile, Bejo. just like real studio actors from the ’20s, carries the legacy by perfectly expressing her feelings via her expressive eyes, facial expressions and outsized body language.

Special mention should be made of the supporting roles filled by familiar faces such as John Goodman, a ruthless movie producer, James Cromwell as the faithful, vulnerable chauffeur, Penelope Ann Miller, the unhappy housewife and of course, the scene-stealer, Uggie the dog, a Jack Russell terrier with dozens of parlour tricks.

Hazanavicius took a big risk in realizing this dream project, but the results are remarkable, featuring plenty of great moments and occasionally stunning use of sound. The Artist is one of those rare features from a master craftsman early in his career but always in full control of his craft.

Ricky D

Written By

Some people take my heart, others take my shoes, and some take me home. I write, I blog, I podcast, I edit, and I design websites. Founder and Editor-in-Chief of Goomba Stomp and Tilt Magazine. Host of the Sordid Cinema Podcast and NXpress Nintendo Podcast. Former Editor-In-Chief of Sound On Sight, and host of several podcasts including the Game of Thrones and Walking Dead podcasts, as well as Sound On Sight. There is nothing I like more than basketball, travelling, and animals. You can find me online writing about anime, TV, movies, games and so much more.

Click to comment

Leave a Reply

Your email address will not be published. Required fields are marked *

Pop Culture From All Angles

Sordid Cinema Podcast

Trending

Greatest Royal Rumble Matches of All time Greatest Royal Rumble Matches of All time

Greatest Royal Rumble Matches

Wrestling

Calendar Girls performing in a parking lot. Calendar Girls performing in a parking lot.

Calendar Girls: A Remarkable Debut About Reclaiming Your Life

Film

Who is still alive in Yellowjackets?

TV

Scream (1996): Frightening, Gory, Simply Amazing

Film

The Book of Boba Fett Chapter 3 episode review the streets of mos espa The Book of Boba Fett Chapter 3 episode review the streets of mos espa

The Book of Boba Fett Chapter 3 Makes The Wrong Moves

TV

Archive 81, Pictured: Mamoudou Athie Photo Credit: Quantrell D. Colbert/Netflix © 2021 Archive 81, Pictured: Mamoudou Athie Photo Credit: Quantrell D. Colbert/Netflix © 2021

The Analog Terror of Archive 81

TV

Peacemaker Peacemaker

Peacemaker Skewers Machismo and Layers Out its Antihero

Film

For He Is a Liar and the Father of Lies For He Is a Liar and the Father of Lies

The Righteous Gemstones: “For He Is a Liar and the Father of Lies” Muddies the Holy Water

TV

Censor review 2021 horror movie Censor review 2021 horror movie

Sordid Cinema Podcast #609: Why Censor is one of the Best Horror Films of 2021

Sordid Cinema Podcast

All That Breathes All That Breathes

All That Breathes Shows an Ecosystem in Turmoil

Film

How I Met Your Father Just Doesn’t Have the Magic

TV

The Book of Boba Fett review "The Gathering Storm" Chapter 4 episode The Book of Boba Fett review "The Gathering Storm" Chapter 4 episode

The Book of Boba Fett Chapter 4 Builds and Fulfills With a Storm of Excitement

TV

Connect