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How It Ends review
Image: Sundance

Film

How It Ends Brings Celebrities to the End of the World

On the last day on Earth, one woman goes on a journey through LA to make it to her last party before the world ends, running into an eclectic cast of characters along the way.

Sundance 2021: How It Ends Review

Give How It Ends this much: At least it’s not assembled entirely from Zoom calls. 

The coronavirus pandemic, especially in the early days when lockdowns were particularly strict, inspired many in Hollywood to find creative ways to make movies under social distancing guidelines. 

Many of those tried to do storytelling entirely over Zoom, which is a filmmaking aesthetic that I’ll be thrilled to never have to see again. How It Ends, a comedy/drama that debuted at the Sundance Film Festival on January 29, does not take that tack, to its credit. It was filmed with its characters in the same room, albeit usually outdoors, and with the characters noticeably sitting far apart. 

There are occasional laughs, as the film collects an impressive collection of talented and funny people. But overall, it rests on a gimmick that doesn’t quite work. 

How It Ends was directed by the husband-and-wife team of Zoe Lister-Jones and Daryl Wein, and Lister-Jones stars in it as a woman named Liza. It’s Los Angeles, and the world is going to end that night, which explains why the streets are all empty. 

Liza decides to spend the day visiting various friends, ex-lovers, and family members, along with a young woman (Cailee Spaeny) who appears at first to be her daughter but is soon established as her younger self. It’s a conceit with little success or payoff, especially since the film never sets very specific about the rules of who can and cannot see her. 

The film consists of a series of one-off scenes in which Lister-Jones and Spaeny are in a room with one other person. There’s Bradley Whitford as her dad, Helen Hunt as her mom, Olivia Wilde as a particularly daffy ex-friend, and Lamorne Morris as an ex-boyfriend. 

Fred Armisen shows up briefly, as do various people from the Human Giant/The League/comedy podcast orbit, such as Nick Kroll, Paul Scheer, and Rob Huebel (Huebel was also in the similar movie Seeking a Friend for the End of the World, back in 2012.)  There’s even a Chekhov’s Pauly Shore cameo. 

Glenn Howerton shows up – as do his married Always Sunny co-stars Charlie Day and Mary Elizabeth Ellis – which only brings to mind that Howerton’s Apple show, Mythic Quest: Raven’s Banquet, offered one of the few “special quarantine episodes” that actually succeeded. 

There’s the occasional laugh, as would be pretty difficult with this many funny people involved. But ultimately, How It Ends is neither the best pandemic movie nor is it anywhere close to the best movie about the end of the world. 

The first-ever “virtual” Sundance Film Festival runs from January 28 – February 3. Check back for our daily coverage and visit the festival’s official website for more information.

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Written By

Brian Marks is Sordid Cinema's Lead Film Critic. His writing has appeared in The Village Voice, LA Weekly, The Los Angeles Times, and Ampersand. He's a graduate of USC's master's program in Specialized Arts Journalism. You can find more of his writing at InPraiseofCinema.com. Best film experience: driving halfway across the the country for a screening of Jean-Luc Godard's "King Lear." Totally worth it.

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