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In Cradle Bay... there's nothing more frightening than perfection.


‘Disturbing Behavior’ is a Pure Relic of the 1990s

In Cradle Bay… there’s nothing more frightening than perfection.

31 Days of Horror

Welcome to Cradle Bay, a cozy little community in somewhere, U.S.A., where most of the people know each other and the kids at high school all fit into easily recognizable, very stereotypical factions. Not everyone is having a good time, least of all Steve Clark (James Marsden), who has just moved there at the behest of his family following the tragic death of his older brother. Fitting in isn’t easy, but some help to soothe the process arrives in the form of an oddball, conspiracy theorist pothead, but well-spoken Gavin (Nick Stalh) and loner Rachel (Katie Holmes), with whom he shares a love-hate relationship. The three get along rather well, but Gavin is convinced that something is wrong with some of the kids at school, and he isn’t talking about regular teenage attitudinal problems. No, there are students who are being ‘transformed’ into pseudo-perfect people and join the Blue Ribbons, the definitive clean-cut clique. This might be happening against their will, and it may stem from whatever Dr. Edgar Caldicott (Bruce Greenwood) is doing during his Monday night meetings with the parents of Cradle Bay. In this town, being perfect is not what it’s cracked up to be…

David Nutter’s Disturbing Behavior is a pure relic of the 1990s. Mind you, that statement comes with a peppering of lovable nostalgia, which isn’t surprising coming from anybody that grew up a teenager during that decade and experienced high school dramatics. The clothes, the soundtrack, James Marsden’s floppy hair, the cinematography and editing styles for this brand of horror, virtually everything about this 1998 endeavour screams the 90s. Again, that isn’t a bad thing per se. Lord knows that in recent years there have been legions of people that cannot get enough 1980s nostalgia, and even when served all they could get, they’d probably ask for more. In that light, a bit of nostalgia for the successive decade seems earned for once.

Comforting familiarity with the sights and sounds of bygone era aside, it should be noted that Disturbing Behavior is a mixed bag at best. There are some very admirable qualities to the efforts of the cast and crew, with special mention going to a select few of the former. It’s easy now to forget how good Nick Stahl could be when he wanted to. He is, for all intents and purposes, the highlight of the film’s first half, injecting multiple scenes with some very off-kilter yet infectious energy. The role of Gavin is difficult to pigeonhole, which in large part is what makes it captivating. Yes, Gavin is a bit rude at times and thinks highly of himself, yet at the same time, he’s surprisingly verbose in the best way possible. He won’t limit himself to criticizing someone’s behaviour with a lowbrow insult. He’ll get his point across whilst referencing a lauded work of literature. Stahl is genuinely compelling in the role, as Gavin wrestles with what he believes is a conspiracy to brainwash Cradle Bay’s teens while trying to keep his head.

It comes as little surprise, then, that the movie’s biggest misstep is having his character become a victim to the Blue Ribbon operation, reducing his personality and screen time exponentially for the remaining 45-odd minutes. Not that co-stars Katie Holmes and James Marsden are incapable of carrying the story the rest of the way, but they simply do not possess the same level of charisma Stahl brings to the picture. Holmes and Marsden are fine in their respective roles, but once Stahl takes a back seat, his absence is sorely felt. Thankfully, Bruce Greenwood, one of the most underrated yet respectable actors working in Hollywood, sees his role grow in importance as the story reaches its climax. William Sadler is also given a supporting part as a school janitor of sorts (although he works in the sewage system as well. It’s not exactly clear what his role is) with a heavy European accent. Sadler is generally a fun actor to have around in a film, although his efforts here are not as exciting as the description of his character sounds.

Most critically, the film is not very scary, nor very surprising. The Blu-ray’s back cover quotes a critic’s review from 1998 comparing the film to an episode of the X-Files. It’s an apt comparison, and that’s without taking into consideration that X-Files composer Mark Snow handles orchestral duties, or that David Nutter himself took over directing duties for a few episodes of the show. A fiendish, evil cover-up that is affecting innocent people in an entire town, some attempts at thrills with slow walks down the spooky hallways of spooky buildings, the protagonists trying to unravel the mystery as their very lives are threatened, there is a fair bit of Chris Carter blueprint in Disturbing Behavior. Had all those elements come together and provide actual surprises and legitimate thrills, then the film might be more fondly remembered. As it stands, the movie is rather predictable, and its surprisingly infrequent attempts at delivering chills are pedestrian. It isn’t a bad film per se, just not one that breaks the mold.

If all of that sounds rather disappointing, it also does not represent the full story. A bit of cursory research reveals that Nutter, who was helming his feature-length debut, did not have final say for the theatrical cut. Shortly after shooting completed, the studio made several cuts and re-edits, hence the tame, neutered final product. That 90s nostalgia effect sounds like a rather strong argument in the film’s favour by now.

In laymen’s terms, Disturbing Behavior is what it is. A decent idea, supported by a decent cast and a hungry director that was given the infamous ‘post-production studio treatment’. It’s hard to fault Scream Factory for digging up old relics of past decades and ensuring they get a second life in high-definition via a Blu-Ray release. After all, that is their raison d’être, and one can understand that those holding on to nostalgia of the late 1990s will have a solid time with the movie, but that doesn’t make the film itself very good. It’s patently average, although hearing Harvey Danger’s Flagpole Sitta for the first time in maybe 15 years felt kind of goo- Arh! Damn you, nostalgia!

Edgar Chaput

Written By

A native of Montréal, Québec, Edgar Chaput has written and podcasted about pop culture since 2011. At first a blogger, then a contributor to Tilt's previous iteration (Sound on Sight), he now helps cover tv and film on a weekly basis. In addition to enjoying the Hollywood of yesteryear and martial arts movies, he is a devoted James Bond fan. English, French, and decent at faking Spanish, don't hesitate to poke him on Twitter (, Facebook or Instagram (

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