Culture
The Menu: An Uneven Yet Enjoyable Satire on Fine-Dining Fanatics
The Menu Review In Mark Mylod’s The Menu, we follow Margot (Anya Taylor-Joy) and her rich companion (Nicholas Hoult) as...
The Menu Review In Mark Mylod’s The Menu, we follow Margot (Anya Taylor-Joy) and her rich companion (Nicholas Hoult) as...
Holy Motors at 10 His first feature film after a 12-year-long hiatus, Leos Carax’s directorial return to French cinema landed...
Paul Thomas Anderson’s The Master (2012), appeared on cinema screens as an instant (cult!) classic, blowing away both critics and...
Suspiria at 45: Audio Magic On the back of his highly-successful Giallo thriller, Profondo Rosso (1975), Dario Argento yet again...
House (Hausu) at 45 While watching the Japanese cult classic, House (1977), you sometimes can’t help but chuckle at its...
Persuasion Review After the recent social media backlash against the trailer for Netflix’s Persuasion, I was prepared to give the...
A comedy with great taste.
Never Talk to Strangers
The Wrath of God Review Argentinian director Sebastián Schindel’s latest film tackles questions of divine justice, human vengeance, and pure...
Revisiting The Lord of the Rings: The Two Towers After the incredible success of The Fellowship of the Ring, setting...