Connect with us
Six Feet Under Pilot
Image: HBO

TV

Six Feet Under: Revisiting the Pilot Episode

When the funeral director is killed in an accident, the family comes together to mourn and decide the fate of the funeral home.

Everything. Everyone. Everywhere. Ends.


There’s a moment in the pilot episode of HBO’s Six Feet Under which perfectly captures the tone of the show. On his way to pick up his son from the airport, Nathaniel Fisher ends a phone call to his wife Ruth by promising he’ll give up smoking. He stubs out his cigarette. Then he smiles a little private smile to himself and flips another smoke into his mouth. It’s only when he bends to light it, that the bus bearing down on him at the intersection is revealed.

Death is everywhere: the loose stair tread, the drunk driver heading the other way as we drive home, the coughing fit which pops that weak artery, the poorly ventilated space heater. As Nathaniel’s demise demonstrates, if one thing (smoking) doesn’t get you, another thing (the bus) will, and, because Death has a sense of humor, it will usually be the last thing you expect that does you in.

James Cromwell
Image: HBO

Every Day Above Ground Is A Good One.

And no death happens in a vacuum. The pilot sets the structure for every episode which followed in the show’s five seasons: a death, closely followed by its repercussions. The Fishers run a funeral parlor and are used to both the death and the repercussions, usually in the form of grieving relatives. What they are less used to is being the grieving relatives. The death of Nathaniel means we get to know the characters at their darkest hour. And what we see isn’t pretty. The briefest of introductions are swept through before the blade falls: dowdy Ruth snipes at her husband, prissy middle son David raises an eyebrow as he listens to his parents bicker, prodigal son, Nate boffs his fellow passenger Brenda Chenowith in a supply cupboard in Arrivals and youngest of the family Claire smokes meth with her charmingly unstable boyfriend Gabriel.

That is, of course, the Fishers Before. Bereavement rarely brings out the best in people and the Fishers are no exception. The Fishers After do not improve. Nate and Claire slump on a couch together during the service, both bitching about how bad they feel. ‘This isn’t all about you!’ roars Nate at one point, the unsaid thought ringing clear as a bell: ‘It’s about ME!’ David, a gay of the so-far-into-the-closet-he-is-in-Narnia type, hisses at boyfriend Keith to leave before you embarrass me when he turns up to offer his condolences. Ruth swipes crockery from her kitchen counters when she hears the news, then later confesses an affair to her horrified children, the way that you do when their father has just died.

Dysfunction is always entertaining and the Fishers are riddled with it, but the tricky part is also making the characters likable. Six Feet Under pulls this off with the choice of actors. All of them are standouts – especially Michael C Hall as David and the superb Frances Conroy as Ruth – and the quality of the leads is matched by the supports: Freddie Rodriguez twinkling as the mortuary assistant Federico, luminous Joanna Cassidy as Brenda’s psychiatrist mother Margaret and the gravel-voiced Richard Jenkins playing the dead Nathaniel Sr. with a somber glint of madness in his eye.

The return of Nathaniel and the rest of the dead as the series continues is the final and strongest card in Six Feet Under’s hand. We’re treated to touches of the surreal at earlier points in this first show – David’s silent internal scream as he offers condolences to a family while digesting his own news is a perfect example – but the arrival of Nathaniel while David repairs the scratches on his father’s corpse lifts the drama to a new level of twistedness. Oh no tuts Nathaniel as David applies filling compound to the gouges, you’re doing me? You’re the worst one we’ve got.

Michael C. Hall as David Fisher
Image: HBO

Death is everywhere and the dead are always with us. Our parents may depart, but they still ask us why we can’t be more like our brother. The Fishers, more than any other family in any other drama, have to deal with an issue that is going to affect us all: our life, everyone’s life, is finite. Watching them cope, fail to cope, fumble, and recover gives us this one important hope: that one day when the inevitable arrives, we’ll have the grace to face it with some dignity.

– Cath Murphy

Editor’s Note: This article was originally published under our old brand, Sound On Sight.

Written By

Click to comment

Leave a Reply

Your email address will not be published.

Facebook

Trending

Anti-War Anti-War

Three Bestselling Anti-War Novels, Three A-List Film Adaptations…Three Flops:  Castle Keep, Catch-22, Slaughterhouse-Five

Culture

Vesper poster Vesper poster

Vesper: Sci-Fi That Thinks Big With Limited Means

Culture

Unforgiven movie review Unforgiven movie review

Unforgiven Ushered the Western into its Afterlife 

Culture

Your Full List of All Upcoming Marvel Movies Your Full List of All Upcoming Marvel Movies

A Full List Of Upcoming Marvel Studios Film And TV Releases

Culture

Robocop 1987 Robocop 1987

RoboCop is a Social Satire That Gets More Relevant With Age

Film

Neil Gaiman’s The Sandman: The 10 Greatest Comic Issues Neil Gaiman’s The Sandman: The 10 Greatest Comic Issues

Neil Gaiman’s The Sandman: The 10 Greatest Comic Issues

Comics

Nope Nope

Jordan Peele’s Nope Explained: A Spectacle of “Bad Miracles”

Film

Alex's War (2022) Alex's War (2022)

Alex’s War, a Documentary Study of Alex Jones, Misses the Big Picture 

Film

Signs movie review Signs movie review

M. Night Shyamalan Signs Finds Comfort at the End of the World

Film

All Out 2022 Predictions All Out 2022 Predictions

Way Too Early Predictions for All Out 2022

Wrestling

Biography: WWE Legends’ Look at Goldberg is One of the Best Wrestling Documentaries Ever 

TV

Detective vs Sleuths Detective vs Sleuths

Detective vs. Sleuths: Buckle Up for a Bumpy Ride

Culture

Paul Verhoeven’s RoboCop 1987 Paul Verhoeven’s RoboCop 1987

Paul Verhoeven’s RoboCop is an Anti-Fascist Classic 

Film

Marvel at San Diego Comic-Con Marvel at San Diego Comic-Con

Marvel at San Diego Comic-Con 2022: A Full Recap

Culture

High Noon at 70: When Time is of the Essence

Features

Bullet Train movie review Bullet Train movie review

Bullet Train Makes All the Wrong Stops

Culture

Connect