Connect with us
Image: The Party Film

Film

The Wild One is the Unforgettable Tale of an Unheralded Show Business Legend  

Tribeca Film Festival 2022
The Wild One Review

Jack Garfein, who passed away in 2019 at the age of 89, was notable for two distinct things: His survival of the Holocaust, and his decades of work in the entertainment industry, as everything from an acting teacher to a film director to an impresario in theater and in television. He was never quite a household name but probably deserved to be one. 

A new documentary about Garfein, The Wild One, which premiered at the Tribeca Film Festival, is a brilliant tapestry of these two different sides of Garfein. Directed by the French filmmaker Tessa Louise-Salomé, the film goes back and forth between Garfein’s show business career and his Holocaust story, using both interviews with Garfein himself and extensive readings from Willem Dafoe. 

Born in what was then Czechoslovakia in 1930, Garfein came of age during the Holocaust and lived in more than ten different concentration camps. He once even met Josef Mengele, the notorious Nazi doctor. 

Stories like this are always extremely compelling, of someone surviving the Holocaust and then going on to live a very long life without ever quite losing those scars. And Garfein’s life was certainly an intriguing one. 

The Wild One 2022 documentary
Image: The Party Film

Arriving in New York in 1946, Garfein landed in an acting program at the New School the following year and eventually worked his way up to playing a key part in the Actor’s Studio, including the founding of its West Coast branch. This put him in the orbit of a who’s who of famous actors of the time, including Marilyn Monroe and Carroll Baker, who he married. Garfein was a student, and later a colleague, of the legendary acting teacher Lee Strasberg. 

But the story had even more twists and turns to come. He directed a movie called The Strange One which, in 1957, was suppressed due to its inclusion of homoeroticism. Another movie, Something Wild (not to be confused with the 1980s Jonathan Demme film of the same name.) Garfein is positioned, by the film, as a passionate defender of the freedom of speech, especially considering the encounters he had with tyranny earlier in his life. 

The film won a Tribeca award for Best Cinematography in a Documentary Feature, likely thanks to the way it films Garfein in his interviews. In his 70s at the time, Garfein is incredibly lucid, having a fine recall of events that took place decades earlier. 

The Wild One has no distribution or release plan in place as of yet. But once it does, the story of Jack Garfein is one that you should know, and this extraordinary film delivers it. 

The Tribeca Film Festival runs June 8-19. Visit the festival’s official website for more information.

Written By

Stephen Silver is a journalist and film critic based in the Philadelphia area. He is the co-founder of the Philadelphia Film Critics Circle and a Rotten Tomatoes-listed critic since 2008, and his work has appeared in New York Press, Philly Voice, The Jewish Telegraphic Agency, Tablet, The Times of Israel, and RogerEbert.com. In 2009, he became the first American journalist to interview both a sitting FCC chairman and a sitting host of "Jeopardy" on the same day.

Click to comment

Leave a Reply

Your email address will not be published. Required fields are marked *

Facebook

Trending

The Passion of Joan of Arc review The Passion of Joan of Arc review

More Than a Face: Carl Theodor Dreyer’s The Passion of Joan of Arc at 95

Film

Beau is Afraid movie review Beau is Afraid movie review

Beau is Afraid is a Beautifully Twisted, Odyssean Guilt Trip

Film

Deep Impact was a serious look at the end of the world Deep Impact was a serious look at the end of the world

25 Years Later: Deep Impact was a Serious Look at the End of the World 

Film

Guardians of the Galaxy Vol. 3 movie review Guardians of the Galaxy Vol. 3 movie review

Guardians of the Galaxy Vol. 3 Caps Off the Trilogy With a Heartfelt Bang (Mostly)

Film

Netflix Beef Netflix Beef

How Netflix’s BEEF (2023) Creates Strong Closing Images

TV

The 25 Greatest Wrestlers of All Time The 25 Greatest Wrestlers of All Time

The 25 Greatest Wrestlers of All Time

Wrestling

THE COVENANT (2023) THE COVENANT (2023)

Guy Ritchie Goes to War with the Moving, if Flawed, The Covenant

Film

Early Predictions for AEW Double or Nothing 2023 Early Predictions for AEW Double or Nothing 2023

Way Too Early Predictions for AEW Double or Nothing 2023

Wrestling

The Best of the Beast – Brock Lesnar’s Ten Best Matches, Ranked The Best of the Beast – Brock Lesnar’s Ten Best Matches, Ranked

The Best of the Beast – Brock Lesnar’s Ten Best Matches, Ranked

Culture

BlackBerry movie review BlackBerry movie review

BlackBerry Is a Wonderfully Canadian Account of a Dying Tech Dream

Film

Big George Foreman Big George Foreman

Big George Foreman Should Have Been Bigger

Film

Are You There God? It’s Me Margaret Are You There God? It’s Me Margaret

Are You There God? It’s Me, Margaret: Judy Blume’s Adaptation is Right On

Film

Sean Connery Sean Connery

60 Years Later, Dr. No Remains the Paragon of Bond

Film

Sean Garrity review Sean Garrity review

The End of Sex is a Ballsy Comedy of Marital Manners 

Film

The Matrix Reloaded The Matrix Reloaded

20 Years Later: The Matrix Reloaded was Underwhelming, but Still Underrated

Film

The Mother Jennifer Lopez and Lucy Paez The Mother Jennifer Lopez and Lucy Paez

Jennifer Lopez’s The Mother is Eerily Similar to Enough, But That’s Not a Bad Thing

Film

Connect