Connect with us
Rye Lane review
Image: Sundance Film Festival

Film

Rye Lane Announces the Arrival of a New Cinematic Voice 

Sundance 2023: Rye Lane Review

Director Raine Allen-Miller has created a delightful take on the Before Sunrise formula, with the Sundance 2023 film Rye Lane, set in a very unique part of Southeast London 

On its face, Rye Lane, the new film from director Raine Allen-Miller that premiered at Sundance, sounds like it’s from the cinematic tradition of Richard Linklater’s Before Sunrise and its sequels and imitators: It’s about a man and woman who have just met, walking around a European city for the better part of a day. 

But Rye Lane is different and special. It has a highly unique look and makes fine use of the Peckham neighborhood of Southeast London. And it’s buoyed by two charming leads, David Jonsson (who plays Dom) and Vivian Oparah (Yas.) And it’s quick and breezy, running for just over 80 minutes. 

The film’s conceit is that they’ve both recently been dumped in a humiliating fashion, meeting by chance in a gender-neutral bathroom at a quirky art exhibition, and they decide to join forces. First, she’ll pose as his girlfriend in a meeting with his ex — who has dumped him for his best friend and now seeks his blessing for that relationship — and then they’ll assist one another in other capers. 

Over the course of the long day, there are confrontations with exes, professional disappointments, and exhibitions to steal valued record albums. And, as you may have guessed, the two start to develop romantic feelings of their own before long. 

With the film’s style, look, and pace, Rye Lane feels like it’s announcing the arrival of a new cinematic voice in the British filmmaker Raine Allen-Miller, one that offers the coolest, most original look of any film at this year’s Sundance. 

Is it “twee”? Perhaps it is, and lots of early reviews have compared it to the work of Wes Anderson, which is true in terms of color palette choices, but not so much when it comes to shot compositions. The film focuses on early ’90s hip-hop touchstones like Salt ‘n’ Pepa, which it’s hard to imagine Anderson ever putting in a film. And besides, I usually love things that are described as “twee.” 

The filmmaker has also chosen a great location, a part of London with many immigrants from different parts of Africa and the Caribbean. I’m not going to say the Peckham neighborhood has never been used for a film before — parts of Antonioni’s Blow-Up were shot there, in fact — but it’s never quite been made a main character in this way. 

The lead actors are also both outstanding, giving us sympathetic characters despite their messiness. Both stars are better known as London theater actors, although Jonsson is a regular on the HBO show Industry (he plays the gay, Black, rich finance guy, Gus), while Oparah had a small part on I May Destroy You.  

It’s all helped along by a witty script, credited to Nathan Byron and Tom Melia — one that lets the characters be huge messes in a way most romcoms don’t — plus fine cinematography by Olan Collardy. 

Produced with the help of various BBC entities, Rye Lane is set for a March 31 streaming release on Hulu, via Fox Searchlight. I can see it really emerging as a sleeper hit this spring. 

The 2023 Sundance Film Festival takes place from January 19th to 29th. Find all our coverage here.

Written By

Stephen Silver is a journalist and film critic based in the Philadelphia area. He is the co-founder of the Philadelphia Film Critics Circle and a Rotten Tomatoes-listed critic since 2008, and his work has appeared in New York Press, Philly Voice, The Jewish Telegraphic Agency, Tablet, The Times of Israel, and RogerEbert.com. In 2009, he became the first American journalist to interview both a sitting FCC chairman and a sitting host of "Jeopardy" on the same day.

Click to comment

Leave a Reply

Your email address will not be published. Required fields are marked *

Facebook

Trending

Falling-Down film review Falling-Down film review

Joel Schumacher’s Falling Down Poses Some Serious Questions

Film

The Big Lebowski The Big Lebowski

25 Years Later: Aggression Will Not Stand in The Big Lebowski

Film

The Academy Awards: The Best Picture Losers The Academy Awards: The Best Picture Losers

50 Best Movies That Did Not Win Best Picture at the Oscars

Film

The Academy Awards: The Best Picture Losers The Academy Awards: The Best Picture Losers

50 Best Movies to not Win Best Picture at the Oscars

Film

Blueback film review Blueback film review

Blueback Doesn’t Dive Deep Enough

Film

Pathaan Pathaan

Pathaan Completes the Westernization of Bollywood

Culture

The Last of Us Left Behind The Last of Us Left Behind

It’s So Hard to Say Goodbye on The Last of Us “Left Behind”

TV

The Last of Us Look for the Light The Last of Us Look for the Light

The Last of Us Season One Ends the Only Way It Knows How with “Look for the Light”

TV

Brother movie review Brother movie review

Brother is a Well-acted but Overwrought Account of 1990s Scarborough

Film

The Last of Us When We Are in Need The Last of Us When We Are in Need

Everyone’s a Monster In The Last of Us “When We Are in Need”

TV

Inside Movie Review Inside Movie Review

Being Trapped Inside with Willem Dafoe’s Art Thief is (Mostly) Great

Film

The Mandalorian Season 2 Phenomenally Flaunts The Potential of Storytelling With Star Wars The Mandalorian Season 2 Phenomenally Flaunts The Potential of Storytelling With Star Wars

The Mandalorian Starts Season 3 with a Good Episode but an Okay Premiere in “The Apostate”

Culture

The Mandalorian: Grogu’s Most Adorable Moments The Mandalorian: Grogu’s Most Adorable Moments

The Mandalorian: Grogu’s Most Adorable Moments

Culture

Roberto Benigni at the 71st Academy Awards Roberto Benigni at the 71st Academy Awards

The Most Iconic Moments at the Oscars

Culture

Idiot’s Delight – Happy 25th, Big Lebowski Idiot’s Delight – Happy 25th, Big Lebowski

Idiot’s Delight – Happy 25th, Big Lebowski

Film

Five Ways AEW Can Keep Improving After Revolution Five Ways AEW Can Keep Improving After Revolution

Five Ways AEW Can Keep Improving After Revolution

Wrestling

Connect