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John Carpenter Spotlight

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John Carpenter’s ‘The Ward’ is void of any of his Signature Style

John Carpenter Spotlight

Acclaimed director John Carpenter stated that his feature The Ward is an old-school horror movie made by an old-school director. His long-awaited (and final) return to the screen was clearly pushing for something that combines a ’60s horror-thriller with a contemporary psychological tragedy, but what he ended up creating came across as a lackluster made-for-TV remake of Shutter Island. Sorry folks but as much as we love John Carpenter’s movies, The Ward was (and still is) a huge disappointment.

The Ward takes place in North Bend, Oregon in 1966 and stars Amber Heard as Kristen, a disturbed young woman admitted into a psychiatric hospital for torching a local barn. Kirsten’s therapist, Dr. Stringer (Jared Harris), tries to uncover the root cause of her breakdown and she soon realizes there are dark forces at work at the hospital. As her fellow patients begin to disappear, she begins to uncover the secret behind a ghostly presence that terrorizes them. Persistent and curious, she searches for answers only to quickly realize no one ever leaves the ward alive.

Regardless if you love John Carpenter (as I do) or not, The Ward brings nothing new to the genre and is a complete and utter disappointment. Jammed full of clichés that just keep on coming, Carpenter rehashes more tired horror movie conventions than the mid-90’s teen slasher films. Lacking in suspense and genuine atmospheric moments, The Ward is generic, half baked, and plagued with cheap scares and bargain-basement effects. It also boasts an incredibly inane (M. Knight-like) twist and your typical Wait Until Dark final jump before the credits roll.

Even worse, Carpenter aims for a PG-13 film designed to appeal to teenage girls and boys who think Twilight is a good movie. There is not one appealing character; they’re all stereotypes (the rebel, the geek, the brain, the jock, and the sexy girl), and all, of course, exceptionally good looking. The cast looks bored, never crazy, and all deliver laugh-out-loud performances while garishly bickering with each other. There’s a lot of running down empty corridors, figures appearing out of focus in the background, lights flickering and more running around.

Based on a not-so-original screenplay by Michael & Shawn Rasmussen, The Ward is void of any of John Carpenter’s signature style, so much so that if you remove his name from the credits, no one would ever have to know that a director considered such an icon could demonstrate so little control. Even Hitchcock came up short on occasion, but, unfortunately, Carpenter walked away from directing after making this film, leaving fans wishing to this day that he made one final masterpiece to end his career on a high note. One can only hope…

Kyle Reese

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