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David Sanborn Cause of Death: What Killed the Prominent American Jazz Musician?

David Sanborn, 78, died of prostate cancer on Sunday, May 12. He was a Grammy-winning saxophonist and prominent jazz performer. The news was verified by a statement that was published on his social media sites the following day. The statement said, “It is with sad and heavy hearts that we convey to you the loss of internationally renowned, six-time Grammy Award-winning saxophonist, David Sanborn.” His cause of death was described as “an extended battle with prostate cancer with complications,” according to the report.

David Sanborn, Saxophonist Who Spanned Multiple Genres, Dies at 78 | Best  Classic Bands

According to the statement, Sanborn has been battling prostate cancer since the year 2018, even though he continued to play at his regularly planned performances “until just recently.” According to his Instagram profile, the famed musician had events booked beginning this month and continuing into the year 2025. These shows included performances with his acclaimed quintet that were slated to take place on May 24 and 25 at Jimmy’s Jazz & Blues Club in Portsmouth, New Hampshire.

“David Sanborn was a seminal figure in contemporary pop and jazz music,” was the last statement that was included in the letter that was sent to admirers. He is credited for “putting the saxophone back into rock ‘n’ roll,” according to some people.

Who is David Sanborn?

David William Sanborn was an alto saxophonist from the United States of America. He was born on July 30, 1945, and passed away on May 12, 2024. Although Sanborn performed in a wide variety of musical styles, his solo records always included jazz, instrumental pop, and R&B. He had been playing the saxophone since when he was in high school, and he had been a session musician for a considerable amount of time before the publication of his debut solo album, which was titled Taking Off and was published in 1975. Through his work as a session musician, he contributed to a number of recordings performed by a wide range of performers.

Sanborn, who is considered to be one of the most commercially successful American saxophonists to rise to popularity during the 1980s, was referred to by music critic Scott Yanow as “the most influential saxophonist on pop, R&B, and crossover players of the past 20 years.” Although he was often associated with smooth jazz that was popular on the radio, he has said that he does not like the genre and that he does not like his relationship with it.

David Sanborn’s Early Life 

Sanborn was born in Tampa, Florida, in 1945, although he spent his childhood in St. Louis, Missouri. As part of his therapy for polio, he was taught how to play the saxophone when he was three years old. By the time he reached fourteen, he had already performed alongside blues legends such as Albert King and Little Milton, as stated on his website. Following his graduation from high school, the saxophone went on to study music at Northwestern University. Subsequently, he transferred to the University of Iowa, where he performed and studied with JR Monterose, another outstanding musician. 

In later years, Sanborn made his way to California to become a member of the Butterfield Blues Band. He also participated at the Woodstock Music Festival in 1969 with the band’s leader, Paul Butterfield. He went on to perform and tour with some of the most legendary musicians in the history of music, including Stevie Wonder, David Bowie, Gil Evans, and The Rolling Stones.

Sanborn released his debut solo album, Taking Off, in 1975, the year he reached 30 years old. This record is still regarded as a masterpiece. His famous track “Seduction,” which was also used in the film American Gigolo, was included on the studio album Hideaway, which was released in 1979. This record helped him further solidify his reputation. It was at the same time that the jazz musician started venturing into other musical genres, including R&B. In 1982, he was awarded his first Grammy for best R&B instrumental performance for his song “All I Need Is You.”

David Sanborn succumbs to prostate cancer leaves legacy of musical  brilliance

David Sanborn Career 

Sanborn began performing with blues performers Albert King and Little Milton when he was 14. He continued to perform blues after joining the Paul Butterfield blues band in 1967.

Between 1967 and 1971, Sanborn appeared on four Butterfield albums as a horn section member and soloist. Sanborn performed with the band at the Woodstock Music Festival in Bethel, New York, early on Monday, August 18, 1969.

Sanborn appeared on the Stevie Wonder album Talking Book’s tune “Tuesday Heartbreak” in 1972. His collaboration with David Bowie on Young Americans in 1975, as well as James Taylor’s version of “How Sweet It Is (To Be Loved by You)” on the album Gorilla, helped to establish his alto saxophone voice in mainstream music.

In the mid-1970s, Sanborn got involved in the popular jazz fusion movement by joining the Brecker Brothers band, where he was inspired by Michael Brecker. It was with the brothers that he produced his first solo album, Taking Off, which is today considered a jazz/funk classic.

Although Sanborn is most known for smooth jazz, he grew up studying free jazz alongside saxophonists Roscoe Mitchell and Julius Hemphill. In 1993, he returned to this genre with his appearance in Tim Berne’s Diminutive Mysteries, which was dedicated to Hemphill. Sanborn’s CD Another Hand included avant-garde artists.

David Sanborn’s Net Worth?

David Sanborn is an American alto saxophonist with a net worth of 3 million dollars. He was born on July 30, 1945, in Tampa, Florida, and is widely regarded as the most important saxophonist in the pop, R&B, and crossover music genres during the last twenty years. Sanborn is a talented jazz performer, although the majority of his records fall into the areas of dance music and R&B. His most significant contributions to the field of music have been his passionate sound and his emotive interpretations of tunes, which, in general, elevate every album that he contributes to. Within the first two or three notes, Sanborn’s playing style is immediately apparent.

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