Connect with us

TV

Breaking Bad, Ep. 4.04: ‘Bullet Points’

Performance. For Skyler and Walt, that appears to be this season’s watchword. Ever since Skyler made the decision to stick around in the wake of Walt’s “break,” life has evolved into a series of simultaneous performances – either for Walt Jr.’s benefit, or for Hank and Marie’s, or even for her own. (Marie, of course, proved herself to be quite a performer last week.) If Skyler is going to remain immersed in a morally reprehensible world, she might as well make it look good. Walt, meanwhile, is such a poor actor by nature that it seems paradoxical to make him an excellent liar; a more composed, crafty, self-possessed human being would probably arouse more suspicion. Whether he’s Walt or Heisenberg, he is incapable of charm, remorse or anything other than craven self-interest, with the possible exception of his love for his children (and we haven’t seen much evidence of that recently).

This week, after the tense (if, in its staging, a mite unbelievable) cold open with Mike and the cartel handymen, we see a more thorough deconstruction of Walt and Skyler’s fakery than maybe ever before. Last season Walt and Skyler carried out their fictions separately; now, for better or worse, shared rehearsals are a necessity. As they toss barbs back and forth while getting their gambling narrative straight, they eventually devolve into a thinly veiled argument about their sham of a marriage, with Walt comically complaining that Skyler’s carefully composed fictional backstory (which seems to have been written out like a Hollywood script treatment) paints him in a bad light, as he clings to the notion – demonstrably false, of course – that he does his foul deeds for the good of his family. Eventually, Skyler allows herself a genuine moment of observable pain when she reflects on Walt’s extreme duplicitousness, to which Walt callously offers a fake apology. “How’s that sound?” he asks, coldly. Between his extreme hard-heartedness and Skyler’s dejected look when Walt Jr. reacts with glee to the notion of Walter White: Supergambler, one has to wonder if she’s really in it for the long haul. How much money is enough to ease the pain of sharing a life with a madman? With the attempt at sincere dialogue thwarted, the show goes on, as planned.

Skyler’s acutely portrayed pain makes Saul’s notion of the “Disappearer” all the more intriguing; though it’s Walt that receives Saul’s pitch about this unusual service, he’s the least deserving of a new life. Besides Skyler, there’s, of course, Jesse, whose filthy drug orgy is finally cut short this week by Mike. 35-year TV vet Colin Bucksey does a fine job on a key scene, in which Walt presses Jesse for the exact details of Gale’s murder, cutting closer and closer to Jesse’s shellshocked face before indulging in a slow zoom that ends in a rare (for Breaking Bad) extreme close-up; Jesse breaks down when he’s forced to describe the scene beyond the cursory description he likely tells himself: “I was in and out.” But just as Gale’s goofy face never seems to leave the show completely (he’s back again this week through a priceless video discovered by police in his apartment), Jesse will never recover from committing the act Walt forced upon him. (That doesn’t mean he doesn’t still have some wit on him; his grim sense of situational awareness seems to surprise even Mike.)

And so the weekends with an unexpected sight: Mike driving Jesse out to the middle of nowhere, with Jesse entirely certain he’s about to be dead and buried, a fate that would suit him just fine. (As the boy with everything and nothing, he has no need to perform, and doesn’t even flinch when one of his junkie hangers-on swipes 78 grand from his bedroom; his will to live is, of course, long gone.) As we’re sure to see next week, though, Jesse will have no such luck. Something will drag him, kicking and screaming, into the land of the living – it remains to be seen just what.

Simon Howell

Written By

Simon is a sometimes writer and podcaster living in Toronto.

Click to comment

Leave a Reply

Your email address will not be published.

Facebook

Trending

Greatest Canadian Movies Greatest Canadian Movies

Made in Canada: The 80 Greatest Canadian Movies of All Time

Film

Queer As Folk 1999 retrospective Queer As Folk 1999 retrospective

Queer As Folk – A Cultural Milestone

TV

Stranger Things Season 4, Chapter 4 "Dear Billy" Review Stranger Things Season 4, Chapter 4 "Dear Billy" Review

Stranger Things Hits a Terrifying Home Run with “Chapter 4: Dear Billy”

TV

John Carpenter's The Thing 1984 movie retrospective John Carpenter's The Thing 1984 movie retrospective

Ambiguity Makes for Better Horror in 1982’s The Thing

Film

The Witch: Part 2. The Other One The Witch: Part 2. The Other One

The Witch: Part 2. The Other One is a Disappointing Genre Hybrid

Culture

Web of Make Believe review Web of Make Believe review

Netflix’s The Web of Make Believe Gets Off to a Scary Start 

TV

Stranger Things Season 4, Chapter 6 "The Dive" Stranger Things Season 4, Chapter 6 "The Dive"

Stranger Things Scrapes the Bottom with “Chapter 6: The Dive”

TV

Stranger Things Catches Its Breath with “Chapter 5: The Nina Project”

TV

Jurassic World Dominion - Tilt Jurassic World Dominion - Tilt

Jurassic World Dominion Misunderstands the Entire Franchise’s Allure

Film

Ranking the 10 best Stranger Things characters Ranking the 10 best Stranger Things characters

10 Best Stranger Things Characters

TV

Stranger Things Screeches To a Halt with “Chapter 7: The Massacre at Hawkins Lab”

TV

The Interceptor The Interceptor

Netflix’s The Interceptor is Sunk by Laziness

Culture

The Wilds vs. Yellowjackets: Which is Better? The Wilds vs. Yellowjackets: Which is Better?

The Wilds vs. Yellowjackets— Which is Better?

TV

Rutger Hauer Rutger Hauer

Blade Runner and the Particular Qualities that Noir Fans Can Appreciate

Friday Film Noir

Queer as Folk 2022 Review Queer as Folk 2022 Review

Queer As Folk Perfectly Blends Tradition and Innovation

TV

Irma Vep HBO series review Irma Vep HBO series review

Why You Should Be Watching HBO’s Irma Vep: The Ultimate Muse

TV

Connect