Connect with us
Image: Universal


Minions: The Rise of Gru is a Hilarious ’70s Pastiche 

A villain will rise.

Minions: The Rise of Gru Review

Universal and Illumination’s now decade-old Despicable Me franchise is bifurcated into the mainline Despicable Me movies, which are set in the present day, and the Minions prequels, which are set in the past. With the second film in the latter series now out, we can safely say the latter films are more creatively successful. 

Minions: The Rise of Gru, the follow-up to the original 2015 Minions movie, has finally arrived after nearly three years of pandemic delays, but it’s a success- a very funny exploration of everybody’s favorite little yellow villain-adjacent collective adventures in the 1970s. 

While the first two Despicable Me films had the minions as colorful sidekicks of supervillain Gru (Steve Carell), the first standalone Minions movie, seven years ago, took us through the Minions’ millennia-long history. They were, it turned out, an ancient nomadic tribe, not unlike the biblical Israelites, who over the course of history felt the need to attach themselves to various villains. The film, cleverly, froze the little guys in an icy cave for a 150-year period that ended in the 1960s, in order to avoid uncomfortable questions involving Hitler.

Minions: The Rise of Gru
Image: Universal

The bulk of the film was set in the 1960s, and the film managed to be a success even though all of the characters spoke in a language of gibberish that did not include any recognizable words. It was, I wrote at the time, like a Muppet Show sketch, in which every character was Beaker. 

The Rise of Gru, directed by Kyle Balda, brings the action into the mid-1970s, so we get post-hippie fashions and a soundtrack filled with era-appropriate hits (the Rolling Stones’ “You Can’t Always Get What You Want,” performed as a funeral dirge in Minion-speak, is especially a highlight. The film, though, doesn’t open with the Minions singing the Universal fanfare as the 2015 movie did. 

It can be a challenge to do hippie/’70s humor, without ever mentioning drugs, but The Rise of Gru pulls it off- especially since not only are most kids too young to understand references from 1976, but their parents might be too young, too. But a lot more of the jokes land than not. 

The plot mostly depicts the Minions in the early days of their service to Gru, already harboring supervillain ambitions despite only being 11 years old. The young villain wants to join the criminal superteam known as The Vicious 6, who are led by Belle Bottom (Taraji P. Henson, channeling ’60s radical Angela Davis) and also featuring a fighting nun named Nun Chuks (voiced by Lucy Lawless.) Gru eventually ends up at odds with them, while befriending veteran villain Wild Knuckles (voiced by Alan Arkin.) 

Minions: The Rise of Gru
Image: Universal

The plot isn’t all that important here, because a large chunk of the film’s 88-minute running time is taken up by Minion-based slapstick. The Minions learn kung-fu! They get into an elaborate, Marvel-style climactic brawl in San Francisco’s Chinatown! They chase after a MacGuffin, which falls into and out of their hands over the course of the film. It’s all terribly amusing. 

Sure, we’re well past Peak Minion. Five years ago, every little kid in America had Minions shirts, Minions lunch boxes, and even Minions birthday parties; that’s much less the case these days. But while they’re not quite in the little-kid zeitgeist anymore, it’s not because their act has gone stale- quite the opposite in fact. And perhaps more importantly, the new Minions film never feels perfunctory, which is more than I can say for 2017’s unfortunate Despicable Me 3

Written By

Stephen Silver is a journalist and film critic based in the Philadelphia area. He is the co-founder of the Philadelphia Film Critics Circle and a Rotten Tomatoes-listed critic since 2008, and his work has appeared in New York Press, Philly Voice, The Jewish Telegraphic Agency, Tablet, The Times of Israel, and In 2009, he became the first American journalist to interview both a sitting FCC chairman and a sitting host of "Jeopardy" on the same day.

Click to comment

Leave a Reply

Your email address will not be published.



Anti-War Anti-War

Three Bestselling Anti-War Novels, Three A-List Film Adaptations…Three Flops:  Castle Keep, Catch-22, Slaughterhouse-Five


Vesper poster Vesper poster

Vesper: Sci-Fi That Thinks Big With Limited Means


Unforgiven movie review Unforgiven movie review

Unforgiven Ushered the Western into its Afterlife 


Your Full List of All Upcoming Marvel Movies Your Full List of All Upcoming Marvel Movies

A Full List Of Upcoming Marvel Studios Film And TV Releases


Robocop 1987 Robocop 1987

RoboCop is a Social Satire That Gets More Relevant With Age


Neil Gaiman’s The Sandman: The 10 Greatest Comic Issues Neil Gaiman’s The Sandman: The 10 Greatest Comic Issues

Neil Gaiman’s The Sandman: The 10 Greatest Comic Issues


Nope Nope

Jordan Peele’s Nope Explained: A Spectacle of “Bad Miracles”


Alex's War (2022) Alex's War (2022)

Alex’s War, a Documentary Study of Alex Jones, Misses the Big Picture 


Signs movie review Signs movie review

M. Night Shyamalan Signs Finds Comfort at the End of the World


All Out 2022 Predictions All Out 2022 Predictions

Way Too Early Predictions for All Out 2022


Biography: WWE Legends’ Look at Goldberg is One of the Best Wrestling Documentaries Ever 


Detective vs Sleuths Detective vs Sleuths

Detective vs. Sleuths: Buckle Up for a Bumpy Ride


Paul Verhoeven’s RoboCop 1987 Paul Verhoeven’s RoboCop 1987

Paul Verhoeven’s RoboCop is an Anti-Fascist Classic 


Marvel at San Diego Comic-Con Marvel at San Diego Comic-Con

Marvel at San Diego Comic-Con 2022: A Full Recap


High Noon at 70: When Time is of the Essence


Bullet Train movie review Bullet Train movie review

Bullet Train Makes All the Wrong Stops