Film
‘The Whistlers’ Updates Noir to the Age of Digital Surveillance
Whereas Arnaud Desplechin found his unique artistic vision smothered by the conventions of the police procedural in his middling Oh Mercy!,...
Whereas Arnaud Desplechin found his unique artistic vision smothered by the conventions of the police procedural in his middling Oh Mercy!,...
At first glance, Sorry We Missed You may appear to be merely a re-tread of Loach’s 2016 Palme d’Or winner;...
“Is this the end of the world? Is this the death of light?” ponders a character roughly an hour in...
Terrence Malick’s majestic A Hidden Life is orchestrated around dialectical clashes — the physical vs the metaphysical, inner integrity vs...
Robert Eggers delivers on the promise of his acclaimed 2015 slow-burn horror The Witch and then some in The Lighthouse,...
The Wild Goose Lake Review Cannes Film Festival 2019 Just as he accomplished in his outstanding 2014 breakout hit Black Coal,...
It’s almost criminal how aggressively Jessica Hausner’s English-language debut, Little Joe, works to drain the fun out of a juicy...
Following a trajectory introduced in 2009’s Honour of the Knights and continuing though to the great The Death of Louis...
Quebecois director Xavier Dolan returns to Cannes It’s been a full decade since Xavier Dolan’s first feature, I Killed My...
Illustrator Lorenzo Mattotti makes his feature directorial debut with The Bears’ Famous Invasion of Sicily, a well-mounted, perfectly diverting adaptation...