Film
Cannes 2019: ‘The Bears’ Famous Invasion of Sicily’ is a Pleasant Diversion
Illustrator Lorenzo Mattotti makes his feature directorial debut with The Bears’ Famous Invasion of Sicily, a well-mounted, perfectly diverting adaptation...
Illustrator Lorenzo Mattotti makes his feature directorial debut with The Bears’ Famous Invasion of Sicily, a well-mounted, perfectly diverting adaptation...
Willem Dafoe Stars in Abel Ferrara’s moving character study “That film made me a Buddhist. I got so Catholic I...
A black-comic thriller from South Korean director of Memories of Murder and Snowpiercer Parasite combines the broad satire of Bong...
The latest from French auteur regular Arnaud Desplechin For a while, it seemed that Arnaud Desplechin was the closest filmmaker...
Dardenne Brothers Deliver a Coming-of-Age Tale of a Young Terrorist “A true Muslim doesn’t shake a woman’s hand,” says the...
Gaspar Noé’s pint-sized Lux Æterna is an exercise in self-aggrandizement disguised as a feminist deconstruction of the injustices of the...
French actor-writer-director Mati Diop returns to Cannes with the first feature competition entry ever directed by a black woman. In...
Longtime collaborator Antonio Banderas stars in Pedro Almodóvar’s semi-autobiographical Pain and Glory It’s not difficult to detect the autobiographical details...
The Climb is a Brilliant Reinvention of the Buddy Comedy. In the opening moments of Michael Covino’s The Climb, which...
Kantemir Balagov follows Closeness, his accomplished-but-slight debut feature, with the significantly more ambitious Beanpole, an exploration of the interconnection between...