Film
TIFF 2017: ‘mother!’ Is an all-out Assault on Your Senses And Your Patience
Aronofsky’s fans are in for a treat and everyone else is in for a chore.
Aronofsky’s fans are in for a treat and everyone else is in for a chore.
'Vampire Clay' is an enjoyable B-level horror film, but somewhat lacking in originality.
In practice, the family unit is not always as simple as it looks. Everyone has a family, be they distant...
The Shape of Water is an intoxicating film that dazzles the eyes and captivates the heart in equal measure.
'High Fantasy' is a wonderfully accomplished piece of work.
'Let the Corpses Tan' is perhaps too high-powered, running its perfected aesthetics into the ground.
'Caniba' has little to offer beyond shock value.
Of the many groups of viewers to which Discovery’s Manhunt: Unabomber appeals, the primary one seems like the group fascinated...
Never take the shortcut. That should be a quintessential rule of thumb for any and all characters existing in a...
'Mary Shelley' explores the period in Shelley’s life that inspired her Gothic horror masterpiece, 'Frankenstein.'
Making someone want to watch a bad movie is what makes 'The Disaster Artist' such a great telling of a...
Great performances make it hard not to at least like 'Breathe,' but they're in service of comfort food for period piece...
In 2014, Swedish writer-director Ruben Östlund took aim at masculinity and bourgeois hypocrisy through the prism of one man’s overriding...
It is often argued, justifiably so, that many if not all of the European folk and fairy tales that have...
Opening with swirling shots of water-marbled paint, The Crescent is quick to set up its languidly hallucinatory aesthetic. Seth A....